Radical Sons – Throwing Knives

Hey all. This past Sunday was a great day. I made it to the record store for the first time in weeks, and while I was there I found some fantastic new records. Of the few things I picked up that day, one of them certainly stood out above the rest, and that record is called “Throwing Knives” by a band named RADICAL SONS. When I found it in the record store I had no idea what I was getting into. The main reason I bought it was because it was from the St. Ives label, and it wasn’t too pricey. With that being said, I can’t stress enough how good of a feeling it is to buy a record without any prior knowledge of the band, and then totally fall in the love with the music. Radical Sons totally caught me off guard considering my situation, and I hope you guys can enjoy these songs as much as I did.

The record has two sides (duh), but one side is all studio recordings, while the other is all demo takes of certain songs. According to the description on the Insound website, these demo tracks were recorded right at home, and the record sleeves were designed by the band members themselves. As the St. Ives label on the vinyl says, “The artist alone is to blame for the appearance of their St. Ives record.”, so if there are any problems with your record, you know who to blame! But seriously, how could you get mad at these guys after making such an awesome record?

The band originally started back in 2008 with Ben Goldstein and Nick Risler when they still lived in St. Louis, and since then they’ve moved to Brooklyn, NY (no surprise there), and then they released their first record “Throwing Knives”, which is why I am here today. You can listen to three of the songs below, ripped directly from the vinyl itself. Some parts of the songs get noisy, other parts sound like tropical calypso music (the beginning of Planes & Trains), and other parts they just rock out, but they always manage to do all of these things while staying within the confines of their own sound. Hey, thanks for coming by again today, and as always, enjoy the music!

I’m So Sick of the 21st Century –

Throwing Knives –

Planes & Trains –

My Rating: 9/10
Genre/ Tags: Garage Rock, Noise Rock, Indie Rock
Throwing Knives: Tracklist:
1.) I’m So Sick of the 21st Century
2.) River City
3.) Throwing Knives
4.) All Signs Show
5.) Planes & Trains
6.) Midnight Reducers (Demo)
7.) River City (Demo)
8.) All Signs Show (Demo)
9.) Planes & Trains (Demo)
10.) Scavengers (Demo)

Check out Radical Sons on Myspace!
You can buy it at insound!

Chain and the Gang – (I’ve Got) Privilege 7″

Last we heard from Ian Svenonius and his Chain Gang, it was over a year ago. Their first full length LP came out on K Records back in April of 2009, and since then they’ve been pretty silent. Now, Ian and his Chain Gang are back once more, and they’re offering up a fresh, funky, fun loving 7″ that features two brand new tracks from the band. These two songs are almost like a continuation of where they left off from their LP, “Down With Liberty, Up With Chains”, carrying over all the humorous attitude and sassiness that made their LP such an interesting and fun listen.

A-side “(I’ve Got) Privilege” definitely falls into the funky category, complete with female backup vocals and a jazzy bass line that’s bound to get your head bobbing along to the beat. Flipping over to the B-side, they change things up a little bit, and it’s almost immediately noticeable. They leave behind the funky rhythms this time, and instead they just rock out and teach you how to sound like a genuine Detroit rock band. I have the A-side for you to listen to below, and you can head on over to their Myspace page so you can listen to the B-side. I don’t know what you’re all going to think, but this little 7″ is quite an awesome one. The best part is, it came out of nowhere. I had no idea these guys were putting anything new out, so this one was definitely a nice surprise. I hope you guys enjoy it as much as I did! Now if only I could think of a band name as cool as theirs…

(I’ve Got) Privilege –

My Rating: 9/10
Genre/ Tags: Garage Rock, Alternative
(I’ve Got) Privilege 7″: Tracklist:
1.) (I’ve Got) Privilege
2.) Detroit Music

Chain and the Gang on Myspace!
BUY their records directly from K Records

Wounded Lion – Wounded Lion

Here is the first release to be put out by the band WOUNDED LION. They released another 7″ record as well, and you can check that one out right here. Sadly, both of those 7-inchers are now out of print, but the good news is that Wounded Lion recently released their first full-length record from In the Red Records, and it came out back on April 27th. The LP is a fantastic debut release for the band, and it sets them on the right path for things to come down the road. They tackle the garage rock sound with flying colors, and they do it with their own little sense of humor that I found to be just fantastic. Parts of the album get noisy (Carol Cloud, Silver People), other parts get goofy, and they manage to stick to their own formula throughout the entire record (various crafty guitar hooks and riffs). They don’t hesitate to throw in their knowledge of obscure Star Wars references either! How awesome! That’s certainly not something you see everyday in music; a Star Wars reference. Touche, Wounded Lion!

The record kicks off on the first track “Hungry?”, and I’m not quite sure what they’re curious about in this one, but a playful and friendly opening track nonetheless. This one sort of sets the tone for the rest of the songs to come. Following up would be one of their 7-inch songs, “Creatures in the Cave”, and it’s a nice little gem packed with some chicken-scratch guitar work towards the middle, and they ride it out all the way until the song comes to an end. The scratchy, distorted guitars you hear in this one dominate the rest of the record, especially this track. Next up comes the hilarious track “Dagobah System”, which is definitely an obscure Star Wars reference. The planet Dagobah is where the master Jedi Yoda resides, and Luke Skywalker is sent there to complete his training as a Jedi. In the movies, you see all sorts of crazy aliens and creatures in the swampy mudlands of Dagobah, and Wounded Lion don’t waste any time referencing these crazy creatures. Lead singer Brad warns us to look out for “crazy shit” and “people with asses for faces”. They don’t hesitate to be a bit silly in this song, and certainly throughout the entire album.

Skipping ahead to “Carol Cloud”, this song is yet again full of crafty guitar hooks that dominate the album from beginning to end, and chances are these hooks are what’s going to keep you coming back for more. This one gets a bit noisy towards the middle as the relentless guitars crunch and scratch their way through to the end. Skipping ahead to the track “Pony People”, they whip out the keyboards for this one, and they certainly don’t forget to bring along their humorous attitude, talking about centaurs and the asses of horses. Skipping ahead to the track “Silver People”, they tend to get a bit noisy again in this one. Once again dominated by catchy guitar hooks, a bit past the middle of the song they tear shit up with more scratchy guitar work, as they continue to reference Coors Light throughout the entire song. This song seamlessly moves into the next track “Omar Walk”, and while we don’t know exactly what an “Omar Walk” is, they still continue to rock out and bring forth the noise. This one gets crazy at the end.

Last but certainly not least on the album is the track “Crunchy Stars”, and it’s a great title for a track based on the sounds of this record. A heavenly lead guitar guides us through on this one, with a nice little guitar solo being introduced by lead singer Brad as he yelps out “guitar!” Shortly after the song comes to an end, it leaves you wondering where this band might go next. Definitely a solid, valiant effort from our friends Wounded Lion, and hopefully we can look forward to something bigger and better from them down the road. While humor is almost always a good thing, sometimes it can be a bit overbearing (and that’s probably why some people won’t like this record), so we’ll see where LP #2 takes us. Did I mention these guys remind me of Camursi? Thanks for coming by, and have a fantastic day.

Creatures in the Cave –

Dagobah System –

Carol Cloud –

Crunchy Stars –

My Rating: 7/10
Genre/ Tags: Garage Rock, Pop, Psychedelic
Wounded Lion: Tracklist:
1.) Hungry?
2.) Creatures in the Cave
3.) Dagobah System
4.) Hunan Province
5.) Carol Cloud
6.) Hangin in Ancient Circles
7.) Belt of Orion
8.) Pony People
9.) Black Socks
10.) Silver People
11.) Omar Walk
12.) Crunchy Stars

Wounded Lion on Myspace
Wounded Lion on In the Red Records
BUY the Wounded Lion LP/CD directly from Midheaven Mailorder
BUY the Friendly 7″ directly from Midheaven Mailorder

Girls Names – Girls Names EP

This is pretty interesting. The band Girls Names formed in January of 2009, and they had their first gig booked before ever playing a show together. How do you even book a gig without any music to show for it? That’s what I want to know. Does that mean they hadn’t practiced at all either? If so then that’s pretty awesome, but at this point Girls Names are way beyond that. Having been a band for over a year now, Girls Names hail from Belfast in Northern Ireland, the capital and largest city in Ireland. Up until this point they have released a mini-album on Tough Love Records, a cassette tape split with the band Heavy Hawaii on Cass/Flick, and last but not least the 12″ EP put out by Captured Tracks. The Captured Tracks EP features 4 original tracks from the band, and it clocks it at just over 10 minutes of noisy, strung out, reverb drenched guitar driven garage/surf rock.

At times when listening to this short EP, the band Crystal Stilts would come to mind. I think that would mainly be due to the droned out, howling vocals of lead singer Cathal, and also because of that primitive and simple-but-complex drumming style of drummer Neil (I couldn’t figure out their last names). The second track on the EP, “Warm Hands, Cold Heart”, is a great example of this. Lead singer Cathal hangs over the mix while the frantic drums and urgent guitars push the song almost into surf-rock territory. The first track “I Guess” also takes a stroll into the surf-rock side of things.

Moving onto the last track on the EP, “Graveyard” starts out with some welcoming guitars, and again this track goes deep into the surf rock side of things as the guitars almost become a quick Hawaiian dance jig as they switch it up a bit past the midway point of the song. One thing that is certain is that a graveyard will never evoke the same feeling that this song does. If yr interested, you can check out two of those four songs right here. If these aren’t enough for you, shoot on over to their Myspace where you can check out a bunch more of their songs. That’s all for today!

Warm Hands, Cold Heart –

Graveyard –

My Rating: 7/10
Genre/ Tags: Garage Rock, Surf Rock, Noise Rock
Girls Names EP: Tracklist
1.) I Guess
2.) Warm Hands, Cold Heart
3.) Don’t Let Me In
4.) Graveyard

Girls Names on Myspace
Girls Names Official Blogspot
BUY the 12″ EP directly from Captured Tracks

Vermillion Sands – Vermillion Sands

Here’s something that we’ve been waiting for for awhile now. It’s the first full length record from Italy’s own Vermillion Sands. The album was released a little over a month ago at this point (April 10th), and it was put out by the Alien Snatch! Records label. Up until this point, the Vermillion Sands were getting by simply by releasing a new 7″ every few months or so, but now we finally have a proper release from the gritty garage rocking 4-some that is the Vermillion Sands. Lead singer Anna Barattin fearlessly takes vocal duties all the way through the album, and is backed up by her band mates who plow through songs with galloping drum beats, tense bass lines and jangly guitars.

The album kicks off on the fast paced “In the Wood”, which originally came from the In the Wood 7″ that came out back in February 2009. This song gives you a good taste at what the Vermillion Sands sound like, and it works well as an opening track. It has a small piece of all the elements that Vermillion Sands have had in the past; such as Barattin’s nasally, heavily accented voice, crunchy guitars or the fast-paced nonstop action. The second track on the album, “Monsoon Blues”, is the first song on the record that wasn’t previously put out on a 7″ that we had covered. It’s a bit slowed down, which gives it kind of a menacing feel, almost like you’re in a room that’s spinning around without ever taking a moment to stop.

The next track “Wake Me When I Die” may be a familiar one. This track came from the first record the Vermillion Sands had ever put out, the outstanding Mary 7″, which is probably the most solid of all their 7″ records to date. Moving on to track four, this one is another brand new VS song. It’s called “The Last Day”, and it’s got those extremely tense bass lines and jangly guitars that we have mentioned before. The following track “Peter Peter” totally changes the mood completely from the last track. When this one starts off it’s going to sound like you’re hanging out in a barnyard on a farm somewhere, but one thing that is for sure is that this guy Peter sounds like he’s having a rough time. Lead singer Barattin sings “Once he used to have great fun, and now he’s coming with a gun.” Definitely keep your eyes peeled for this Peter guy – he doesn’t sound too pleasant, and apparently, he’s got a gun. Hell, he couldn’t even keep his wife. Either way though, this is an excellent track. Be sure to check this one out below.

Moving ahead to the track “Star Light Star Bright”, this song kind of follows a similar path of the song “Monsoon Blues”. It’s has that restless feel to it, not to mention the strained bass line and it’s relentless approach. It’s not a surprise that it’s the shortest song on the record considering how fast it is. Next up would be “Weary & Weak”, which takes a step back and gives you a chance to catch your breath, unlike the previous track. About halfway through on this one a noisy guitar comes in to shake things up for a few seconds, and then pops up again in the final minute before the song ends, all while the spaced out lead guitar hangs above your head and guides you through the song. Next track “Warm Up” starts off in familiar Vermillion Sands territory before moving into a ridiculously fuzzed-out guitar solo, which is sure to catch you by surprise. Skipping ahead to the last track “Ghost Song”, this one is in a department of its own. Barattin’s echoing, drowned out vocals sound as if she’s floating through space somewhere without ever coming back down. It’s got quite a different feel to it that wasn’t anywhere else on the album, which leaves you wondering where these Italian garage rockers are going to bring us next. Until then, we’ll just have to guess. Thanks for coming by once again, and please be sure to listen to the mp3’s below.

Wake Me When I Die –

Peter Peter –

Weary & Weak –

My Rating: 7/10
Genre/ Tags: Garage Rock, Folk Rock, Italian
Vermillion Sands s/t: Tracklist
1.) In the Wood
2.) Monsoon Blues
3.) Wake Me When I Die
4.) The Last Day
5.) Peter Peter
6.) Razors
7.) Star Light Star Bright
8.) Weary & Weak
9.) Warm Up
10.) Sew My Heart
11.) Ghost Song

Vermillion Sands on Myspace
BUY the Vermillion Sands s/t directly from Alien Snatch! Records
Something Wrong 7″ previously posted on the Styrofoam Drone
In the Wood 7″ previously posted on the Styrofoam Drone
Miss My Gun EP previously posted on the Styrofoam Drone
Mary 7″ previously posted on the Styrofoam Drone

Satàn – Lick My Feet 7″

Hey guys, what’s going on? I don’t have much time for a big post today, so I’m going to do my best to keep it short. First of all, I would like to send a shout out to my Philadelphia Flyers, who successfully rallied from a 3-0 deficit in their best-of-seven-games series to come back and defeat the Boston Bruins in the series, 4-3. This officially makes the Philadelphia Flyers the third team ever in NHL history to rebound from a 3-0 deficit, and then come back to completely win it all in Game 7. History has been made people. Thank you Flyers, and good luck in the Eastern Conference Finals against the Montreal Canadiens. Now, onto the music.

A little over a week ago I received an e-mail from the good people at the record label “Shit Music for Shit People”, a record label based out of Italy/ Portugal. They offered the songs from their most recent 7″, which just so happens to be the bands debut release. The band is Satàn, and they’re quite good. Their Myspace says that they’re from Italy and France, so I’m not entirely sure where these guys come from, but that doesn’t necessarily matter. Satàn plays an infectious blend of garage rock mixed in with some noisy elements and sound effects, sometimes sounding like their Italian friends the Vermillion Sands. None of the songs from the 7″ are on their Myspace, but don’t worry, I’ll take care of that. There are still a handful of other songs you can listen to on their Myspace, so why not give it a shot? You never know! Thanks for checking again today, and sorry for the short post. Be sure to check back yet again tomorrow!

Lick My Feet –

More Funny than a Mini Horse –

My Rating: 7/10
Genre/ Tags: Garage Rock, Noise Rock
Lick My Feet 7″: Tracklist
1.) Lick My Feet
2.) More Funny than a Mini Horse
3.) Satàn
4.) Loin de Moi

J. C. Satàn on Myspace
Shit Music for Shit People Records!
BUY the Satàn 7″ directly from Shit Music for Shit People

White Fence – White Fence

White Fence is the one-man bedroom pop outfit led by the one and only Tim Presley. Presley plays in a few other bands aside from White Fence, so you could consider White Fence more of a side-project before anything. Presley currently plays guitar and sings in the band Darker My Love, and he is listed as a band member on the Strange Boys Myspace page, being credited for “vocals and laughs”. Presley’s first full length album by himself came out just this year in 2010, and it was released on CD and digitally by Woodsist Records, while Make a Mess Records took care of the vinyl format. Woodsist rules and everything, but I’m going to have to suggest you buy the vinyl format for this one.

From beginning to end, this record is jam-packed with short, hazy lo-fi garage gems that are bound to crawl under your skin one way or another. Given that there are 16 tracks on the record, there’s a pretty good chance that at least one of these songs will catch you and keep you coming back for more. Whether it’s a gritty sounding psychedelic track (“Destroy Everything”) or a laid back bluesy guitar jam (“Hard Finish on Mirror Mile”), this album has the goods to reel you in and keep you hooked. The album starts off on the track “Mr. Adams”, and it’s sure to give you a taste of what the rest of the record is going to sound like. That lo-fi haze is immediately noticeable, and then Presley’s eerie, bone chilling vocals come into play. “Mr. Adams” plays directly into the next track “Who Feels Right”, which continues on in this lo-fi, haunting vocals fashion. The drumming keeps going steadily as Presley howls over everything to bring the track to an end.

“Slaughter on the Sunset Strip” definitely falls onto the blues side of the White Fence before anything else. About halfway through this track there is a nasally sounding lick, and then the twangy lead guitar finds it’s way back into the mix to lead you out. Next up would be the totally blissed out “I’ll Follow You”, which just so happens to be the longest song on the record. Bells, maracas and an incredibly fuzzy guitar solo dominate this tune, and it all gets put on hold for the final minute of the track while Presley takes us out on some acoustic guitar. Next track “The Love Between” can either be a hit or miss. The repeating keyboards could easily be enough to drive any listener mad, but then Presley’s spaced out and broken up guitar solo at the end change the vibe completely. Skipping ahead to “Destory Everything”, this could be one of the highlights from the record. The distorted guitar riff in the beginning is enough to give any listener a headache, but the heavy distortion goes a long way in giving this song an increasingly fuzzy and static-like feeling. Right around the one and a half minute mark Presley graces us with a hell of a fuzzed-guitar solo, and that brings us to the end of the song. That’s the end for this review, but it doesn’t have to be over just yet. Listen to the few songs I have for you below, and as always, be sure to come back again tomorrow!

I’ll Follow You –

Destroy Everything –

Hard Finish on Mirror Mile –

My Rating: 7/10
Genre/ Tags: Lo-Fi, Garage Rock, Psychedelic
White Fence: Tracklist
1.) Mr. Adams
2.) Who Feels Right
3.) Slaughter on Sunset Strip
4.) I’ll Follow You
5.) The Love Between
6.) Sara Snow
7.) Baxter Corner
8.) The Gallery
9.) Tildas
10.) Destroy Everything
11.) Ring Around a Square
12.) Box Disease, Today Bond
13.) Hard Finish on Mirror Mile
14.) I Need You
15.) Sick Doctor Blues
16.) Be Right Too

White Fence on Myspace
BUY the White Fence s/t directly from Make a Mess Records!
White Fence Art Collective Blog

Vermillion Sands – Something Wrong 7″

So we have been covering a lot from Italy’s own Vermillion Sands over the past few months. It all started with the Mary 7″ that totally caught me off guard, and ever since then we’ve been following the Vermillion Sands and whatever they put out next. As of lately, the Vermillion Sands released their first full length, and almost at the same time they put out yet another 7″ record. This most recent 7″ was put out by Hell, Yes! Records, located in Venezia, Italy.

The 7″ features two brand new, never before heard songs from our friends the Vermillion Sands. On the A-side we have the song “Something Wrong”, that has quite a familiar sound to it. There is that galloping bass line that comes out in many of the Vermillion Sands songs, as well as Anna Barattin nasally singing voice. Many times throughout the song we’re face to face with a squealing guitar riff and the quick roll of the snare drum. Within the last minute of the song the lead guitar joins the rest of the gang, playing a rusty guitar hook along with the squeal of the guitarist who is credited as “Krano”.

Flipping over to the B-side, things change pretty quickly. The A-side was faster, more upbeat, and almost at a walking pace. On the B-side they slow things down a bit, almost as if they’re playing outside on an extremely humid summer day. The song is dominated by slow, lazy sounding lead guitars that are sliding up and down all over the place. Once you reach the middle of the song (and at the end) there is a jangly, ear piercing guitar noise that’s not entirely obvious on how it’s being played. Definitely a mysterious sound there. It works wonders for the song, because as a whole it’s in sort of a dazed state. The fade-out at the end also adds a nice touch, because the song never quite reaches a conclusion, which adds to that mysterious vibe throughout the track. Check out the mp3’s below! Thanks for reading once again!

Something Wrong –

Mother of Earth –

My Rating: 8/10
Genre/ Tags: Garage Rock, Folk Rock, Italian
Something Wrong 7″: Tracklist
1.) Something Wrong
2.) Mother of Earth

Vermillion Sands on Myspace
BUY the Something Wrong 7″ directly from Hell, Yes! Records
Vermillion Sands releases previously posted on the Styrofoam Drone:
Mary 7″
Miss My Gun EP
In the Wood 7″

The Strange Boys – Be Brave

Not too long ago a friend and myself went to go see the Strange Boys play live. This was on their last visit to Philadelphia, and they played at the Danger Danger Gallery. I had been filming the entire set they played so I could use it to put up here on the blog, but promptly after the show singer/guitarist Ryan Sambol kindly asked if I wouldn’t put those videos on the internet. Fair enough. Maybe I can share them with you some day…

When they came to Philadelphia they were touring for their new album “Be Brave”, but that certainly didn’t mean they forgot to play song from their first record, “And Girls Club”. That’s a good thing too – most of the songs on “And Girls Club” are perfect for playing live, tracks like “Who Needs Who More”, “Poem Party”, and “This Girl Taught Me a Dance”. These certainly aren’t the only ones either. But with that being said, looking at the songs from “Be Brave”, not nearly as many of these songs would pack such a punch live. A few that would are “A Walk on the Bleach”, “Be Brave”, and “Night Might”, but after those couple you’re left with “The Unsent Letter”, “You Can’t Only Love When You Want”, and “All You Can Hide Inside”, which don’t necessarily deliver as well as the other songs do – they just kind of fall short of that mark. But this doesn’t mean that you shouldn’t still be interested in listening to “Be Brave” – remember, we’re talking about a live scenario here. Songs like “Da Da”, “Night Might” and “Friday in Paris” have that classic Strange Boys twang that we had so much of from the first record. “Friday in Paris” has an acoustic guitar solo in the closing minute of the song, while the ending of “Between Us” is bound to put a smile on your face. “Night Might” quickly becomes another Strange Boys classic with it’s sudden pace changes and the wail of the harmonica. The song gets really good at about 1 minute and 15 seconds in when they slow everything down, but they don’t forget to pick up the pace on last time before the end. I really hope that one day I can share these Strange Boys videos with you guys, so I’ll work on that for everybody. Oh yeah, take notice that the ratings and tags of each post will now be at the bottom of the post. Stay tuned…

My Rating: 7/10
Genre/ Tags: Garage Rock, Lo-Fi, R&B
Be Brave: Tracklist
1.) I See
2.) A Walk on the Bleach
3.) Be Brave
4.) Friday in Paris
5.) Between Us
6.) Da Da
7.) Night Might
8.) Dare I Say
9.) Laugh at Sex, Not Her
10.) All You Can Hide Inside
11.) The Unsent Letter
12.) You Can’t Only Love When You Want

The Strange Boys on Myspace
The Strange Boys – And Girls Club previously posted on the Styrofoam Drone
BUY Be Brave directly from the Rough Trade Shop

Vermillion Sands – In the Wood 7″

My Rating: 7/10
Genre/ Tags: Garage Rock, Folk Rock, Italian

Hey friends, how’s it going? It’s raining right now in Philadelphia. That doesn’t make me happy. Hopefully the weather is better in your town.

So who remembers the Vermillion Sands? They’re a folky, gritty female-fronted band that come all the way from a place called Treviso in Northern Italy. And I’m sure it’s a beautiful place, unlike where I am today. So we have been following a handful of the releases from the Vermillion Sands, including their latest “Miss My Gun” EP, and one of their earlier efforts, the “Mary” 7″ that was put out on Rijapov Records. Now in 2010, we finally have a full length release from these Italian garage rockers, and you can find it over at ALIEN SNATCH! Records. My guess is that the full-length is a culmination of all of these smaller releases from the band, but I only recognize two songs on the tracklist. Either way, I’m sure the record will still be overflowing with the folky-garage pop sound that is the Vermillion Sands, along with the nasally voice of lead singer Anna Barattin…

…Just like this “In the Wood” 7″ that I have been neglecting to comment on. It has three new songs that you may or may not have heard up til now, with one of them being the opening track on the forthcoming full-length we were just talking about. That song is simply called “In the Wood”, and it kicks off quickly with a fuzzy synthesizer. It almost gives you that feeling that you’re actually in the woods somewhere, but that’s up for you to decide. Whenever I try to host an mp3 on the blog, it usually fails miserably, so I’m going to point you in the direction of their MySpace so you can hear “In the Wood”, just click that last link. It’s one of the first songs they have on their for your listening pleasure, so please do yourself a favor and check it out.

In the Wood 7″: Tracklist
1.) In the Wood
2.) May
3.) Trouble in My Way

Vermillion Sands on MySpace
BUY In the Wood directly from Fat Possum
BUY the Vermillion Sands latest full-length LP from ALIEN SNATCH! Records