Anybody remember when we covered JAILL back in the beginning of September? If not, follow that link in the last sentence so you can fill yourself in. Since that post, I’ve been on the lookout for a copy of their first LP from Burger Records, and I finally got the chance to snag a used copy on eBay a few weeks ago.
I just found the record in my mail yesterday and promptly threw it on the record player. To my surprise, I was absolutely floored. It’s because of this record here that Jaill had the opportunity to release “That’s How We Burn” on Sub Pop, and now it all makes sense. They put down 12 different songs (plus a bonus track) for this record, each combining a completely lethal dose of your favorite elements from pop, punk, garage, and psychedelic, and DAMN does it work well. They even manage to work in their subtle references to pot/ being stoned here and there like they did on the other LP.
I must warn you though prior to listening, because this stuff is highly addicting. Every last track could be looked at as a highlight in its own way, and with all songs going barely past the three-minute mark, there’s no doubt you’ll be putting this thing on repeat for days. Which is exactly why this is the next installment to our new “Still Spinnin” feature! Basically the idea here is to keep you guys up to date with what we like most here at the Drone, whether it just came out yesterday or if it’s been out for thirty years. You should expect to see a more detailed post about this in the near future, so stay tuned.
And that’s where I’m gonna leave you guys for today. Check out this batch of songs from the LP right below and let the infatuation begin. You can still grab a copy of the LP with that link below, but don’t sleep on it for too long. See you guys tomorrow.
There’s No Sky (Oh My My) –
Always Wrong –
No Mindless Love –
Pardono –
We’ve Won –
My Rating: 9/10 Genre/ Tags: Indie Rock, Pop, Psychedelic There’s No Sky (Oh My My): Tracklist:
1.) There’s No Sky (Oh My My)
2.) Beggar Sincere
3.) Always Wrong
4.) Stuffed
5.) No Mindless Love
6.) The Biggest Nugget of Them All
7.) Pardono
8.) We’ve Won
9.) Suave Losin’ It
10.) All it Was
11.) Out of Your Boots
12.) Love Takes Shots
13.) Snake Shake (Bonus track)
Today we’ve got a new release from a local Philly band that some of you city-dwellers from around the area may have already heard. They’re simply known as THE TRESSELS, and they’re from the outskirts of West Philadelphia, specifically from a place you might know as Drexel Hill.
These guys have been on the music scene for a good chunk of time in Philadelphia, releasing at least two full lengths and a handful of underground demos and EPs before “Bourbon Legend” was ever finished. That being said, “Bourbon Legend” took almost two and a half years to complete, finishing the album while jumping the hurdles that most bands would fall victim to, such as technical issues, long periods of inactivity, and difficulty in finding a consistent drummer who would stick around. Truth be told, The Tressels weathered the storm, found a solid drummer, and now today we have “Bourbon Legend” after it’s all said and done. So let’s listen, shall we?
Having nearly 30 songs ready to include on the tracklist, this Tressels album comes jam-packed with just ten new psyched-out face melters. Ten seems like a lot now, but after listening it’s obvious that ten isn’t quite enough. Two of the songs (“Autopsy” and “Don’t Look Down”) were taken from their past albums and re-recorded, making them fit in with the rest of this record. A good portion of these songs play over the four minute mark, giving the band ample time to lay down some nasty guitar work and build up enough energy for huge, mind-bending breakdowns.
One of those biggest break downs comes in the track “Brothel Blues”, in which lightning-like guitars rain down over the mix, complementing crashing drums and the like. The shit really hits the fan in the final minute as they take the guitar lick around for another spin, totally destroying everything in sight. Wouldn’t you LOVE to witness this in a live setting? Other highlights include, but are not limited to “Don’t Look Down”, featuring more fierce guitars and epic breakdowns, “South Beach Vampires” which has a moody, blues rock feel, and “Denim Jacket” which is a fantastic way to close out the album. Check out these songs below, experience the guitar madness for yourself, and let it take you away. See ya tomorrow.
Brothel Blues –
Don’t Look Down –
South Beach Vampires –
Denim Jacket –
My Rating: 7/10 Genre/ Tags: Alternative, Psychedelic, Rock Bourbon Legend: Tracklist:
1.) Autopsy
2.) Brothel Blues
3.) Stolen Kiss
4.) Guitar for a Gun
5.) Don’t Look Down
6.) South Beach Vampires
7.) Skeletons Dancing
8.) I Believe You
9.) Ethyl Alcohol
10.) Denim Jacket
What’s up people. Hopefully you’ve been enjoying this week thus far. If so, that’s great, because it’s only about to get better, so keep reading. Today we’ve got the debut LP from Brooklyn’s own PREGNANT, and boy do these guys deliver. Their new LP comes from the Burn Books imprint, which is also based in Brooklyn, and it looks as if it’s the labels first official release. Pregnant is made up of three members, Stefanie Bridges (bass & vox), Kevin Manion (guitar & vox), and Ian T. (drums) who together create short outbursts of high energy, dismantling punk rock that treads right along the fine line between punk and hardcore punk. Raspy vocals and fast paced guitar hooks dominate this record, giving it an overall heavy sound, but the staggering guitars sometimes turn into joyous leads like in the song “Help!”.
None of the songs go anywhere past the three minute mark, with the exception of the final track “Wanna See My Gun?”. This means the record ends pretty quickly, but the intensity is surely palpable within each of these ten Pregnant songs. Since it ends so fast, chances are you’re going to spin this thing again and again, because let’s be serious people, this is quality punk rock. Now it’s your turn to find out, and you can do so simply by listening to these highlights from the record below. Leave some comments and let us know what you’re thinking, and please don’t forget to support the good guys at Burn Books.
Wormie –
Help! –
You Give it to Me –
Wanna See My Gun? –
My Rating: 7/10 Genre/ Tags: Punk Pregnant s/t: Tracklist:
1.) Real Talk
2.) Skin Display
3.) Wormie
4.) Help!
5.) Toothache
6.) Safe & Sound
7.) Do You Feel It?
8.) You Think
9.) You Give it to Me
10.) Wanna See My Gun?
The DEAD GHOSTS full length! It’s finally here!! This thing was originally said to drop sometime in October, but obviously that didn’t happen. November 9th turned out to be the official release date for the record, but I still don’t think there are any places you can buy it. Keep checking back at Florida’s Dying and it’s bound to pop up at some point, just a matter of when. If you were eagerly awaiting this one, patience is definitely a virtue, but that moment is surely upon us. When this thing is finally out there, you will be glad you waited for as long as you did. And now I’m here to prove that to you.
If you can remember back to the Summer and also in September, we covered a few other releases from Canada’s premier garage rockers. Now they’re back with the most exciting installment to their discography, and if you enjoyed those other releases, things are only about to get better. The new album comes jam-packed with 13 of your favorite Dead Ghosts numbers, most of which have been re-recorded for the purpose of this new album. Some of these songs can be heard in live form on their Live Tapes 12″, but this new album definitely takes the cake.
They bring back all of your favorite elements, including that uniquely rowdy and rambunctious energy paired with smart, honest lyrics – usually about women, getting fucked up, and just about anything else you think you hear. The rough and abrasive guitars are there once again to put you on your ass, and they do it all with a captivating bluesy twang that’s just too good to ignore. There’s also a bit of a folky, country Western mood mixed in at times, but that’s for you to decide. Most of the songs on the list have hooks that cut so deep you won’t be listening to anything else for at least this whole week, and that’s far from being an understatement. Hear for yourself with these tracks below, and let the addiction begin.
When it Comes to You –
Off the Hook –
Girl Across the Street –
How the West Was Fun –
My Rating: 8.5/10 Genre/ Tags: Garage Rock, Lo-Fi, Blues Rock Dead Ghosts: Tracklist:
1.) When it Comes to You
2.) Detroit Jerry
3.) Off the Hook
4.) Haunted House
5.) She Likes It
6.) Girl Across the Street
7.) I Want You to Know
8.) Dead Ghosts
9.) Getting Older
10.) How the West Was Fun
11.) What to Do
12.) James Brown
13.) I Want Your Love
What’s up dudes. We’ve got the new full length player from PURLING HISS today, and it’s quite a brain-burner. Mike Polizze, who is from Philadelphia, is the main man behind the music, but this isn’t the only place you can find his work. You’ve probably also heard of Bird of Maya if you’re already familiar with Purling Hiss, but it seems as if he’s been concentrating on Purling Hiss a bit more lately. This is the second full-length to come from the band this year, only this time it’s a bit different from previous efforts.
Before this album, most Purling Hiss songs were long and drawn out heavy psych-jams that left you wondering what the hell just took place. This time around they went with more traditional song formats, keeping tracks no longer than the five minute mark. But don’t worry, they certainly didn’t get rid of the loud psych-y stuff. It’s a good thing too. Hopefully Polizze keeps it up at this moonlighting job, because these new Purling Hiss songs totally rock.
Things start off on a familiar note with this album. There’s no point where you’ll be wondering who this stuff came from. The first track “Run From the City” starts off right away with a screeching guitar hook, and soon enough you’ll begin to notice the song building up more and more. The squeal of Polizze’s guitar is enough to make your heart sing as he keeps tearing it up with that same hook. It doesn’t get much radder than that – a mind-blowing riff played over and over again while the drums and everything else tries to match the intensity. If anything is apparent after listening to this song, it’s that this dude has some serious talent. Next is the instrumental track “Porch Dude/ Slight Return”, and it’s a great way to follow up. This one has a funky urban feel to it. The guitars and whatnot continue to swirl over your head helping to progress the song, and this one should keep you grooving without a doubt. Then comes “Don’t Even Try It”, which is what music in a daze should sound like. It’s especially dreamy and hazy, which brings me to say that if warmth had a sound, this would be it. The shape shifting acoustic guitar goes great with the “woo-ooh-ooh”, making for a great sing along if you know the lyrics.
Skipping ahead to track five, “Ojos Locos” – which translates to “crazy eyes” in English. The first 30 seconds or so don’t really hint at what’s to come, wait til about 45 seconds in and the fun begins. Suddenly there’s a happy ska flair that comes along with that bouncy guitar riff, which makes the song upbeat but kind of muffled at the same time. It’s a strange balance, but once again this band dazzles as they manage to make it work out so nicely. Either way the happy vibes are flowing! Moving ahead to “Beautiful Earth Creature”, this song is bound to strike a soft spot. You can’t exactly understand everything Polizze is singing, but there’s some parts that are easier to decipher than others. The highlight of this song though comes in the lead guitar work, just listen below and you’ll know what I mean. Following that comes “Malice in Wonderland”, which definitely qualifies as the most obscure and out-of-line track on the album. I’m not entirely sure what’s making all those heavy sounds, but it certainly helps create some intense, vivid visualizations. The final two tracks “Doghouse” and “1976” shouldn’t be ignored, I’m just running out of time. Check out what I’ve left for ya below and leave some comments. I want more comments people can’t you tell!!? Let’s get the Styrofoam Drone community up and running!!
My Rating: 8/10 Genre/ Tags: Psychedelic, Lo-Fi, Punk Public Service Announcement: Tracklist:
1.) Run From the City
2.) Porch Dude/ Slight Return
3.) Don’t Even Try It
4.) Bedroom
5.) Ojos Locos
6.) Gypsy
7.) Zor
8.) Goodbye Blue
9.) Beautiful Earth Creature
10.) Malice in Wonderland
11.) Doghouse
12.) 1976
Purling Hiss on Myspace ! BUY the LP directly from Insound, you’ll be glad you did
What’s up people, hopefully you all had a good Halloween weekend. Too bad it only comes once a year because it’s always a great time. But what’s done is done, so let’s get this week in music started.
First up to start things off we’ve got the most recent album from GRASS WIDOW. This thing came out right before Summer ended in August – from the Kill Rock Stars imprint out of Portland, OR and Olympia, WA. Grass Widow is comprised of three women known as Hanna Lew (bass), Raven Mahon (guitars), and Lilian Maring (drums). They each bring something special to the table when it comes to their instruments, but the vocals are a different story. The Grass Widow outfit probably wouldn’t be the same if it weren’t for these three beautiful voices either. All three of the girls take part in the vocal efforts, and it’s easily probably the most striking and unique aspect to their music. This new album is their longest to date, clocking in at just over 26 minutes, and it’s overflowing with unsettling, fast-paced song structure, beyond-delightful harmonies, and the sure ability to drop your jaw.
If you know about anything from Grass Widow before this LP, then you probably already know what to expect, aside from the music being totally addicting. Short and quick little post-punk outbursts fill the album from beginning to end, never really venturing too far past the three minute mark. They keep it short, and that certainly helps make the music as addicting as it is. Warbled and wonky bass and guitar lines drive the songs as the drumming crashes along behind them, making for some seriously complex sounding music – almost as if there’s stuff flying in all different directions without the time to figure them all out before it’s too late.
The real deal though for these guys comes in the singing. A mess of gorgeous singing voices are always there to guide you through the song, with harmonies so gratifying and complicated it’s actually quite haunting at times. Don’t be surprised if this sends a chill up yr spine, because at times it literally can be haunting, no jokes. Sometimes there’s a strange sense of urgency weaved into the seriously dire tones. They even go as far as getting an orchestral type feel out of some of their songs, like “Uncertain Memory” and “Give Me Shapes”. There’s some violin and other string instruments of the sort in the songs that help give it that feel, and it really complements the serious qualities in their music. Sometimes they have fun, but not always, because it’s important to be determined sometimes. That way people can take you seriously. And it certainly works for Grass Widow – check out these songs below and let the infection begin. And if you’re a Grass Widow fan and have been seeking out their first LP from Make a Mess, this right here might be the last place you can get it.
Uncertain Memory –
11 of Diamonds –
Strangers Come –
Tuesday –
My Rating: 8/10 Genre/ Tags: Post-Punk, Ethereal, Pop Past Time: Tracklist:
1.) Uncertain Memory
2.) Shadow
3.) 11 of Diamonds
4.) Give Me Shapes
5.) Old Disguise
6.) Fried Egg
7.) Landscape
8.) Submarine
9.) Strangers Come
10.) Tuesday
Grass Widow on Myspace ! BUY the LP directly from Insound!
Hope everyone’s weekend went well! Unfortunately the Phillies couldn’t help make mine any better than it was, but hey, what’s done is done. Now it’s time to focus on some music, because let’s be serious, it’s everybody’s favorite thing 😉
Today’s music of focus comes all the way from Sydney, Australia, from a band you might already know as CIRCLE PIT. This looks like it’s their first official full length, coming from the local Siltbreeze Records label, which couldn’t be a more fitting home for the album. Besides this new full length, the only other material you can find from the band is either this 7″ right here, or the stuff they have for sale in this Myspace blog post.
So when listening to this stuff, a lot of different thoughts and describing words might come to mind. Some of the more prominent descriptors would be scrappy, trashy, scummy, scratchy…most of which stem from the grainy, sandpaper-like guitars that dominate the entire album. These abrasive guitars drive the songs, being impeccably heavy at times, and freakishly psyched-out at other times.
Their high energy approach also helps add to the madness, and when it’s mixed with their strangely rewarding slacker-esque type vocals, it makes for quite an interesting combination. The raspy, “I don’t give a fuck” tone of voice is definitely part of the sound, and once it’s paired with the boy-girl vocal harmonies, you’ll see how well it all fits together. This is definitely the kind of album that you will like at first listen, but keep at it and you’ll notice that the shit’s grown on you like no other, way more than you ever expected – the excellent guitar work, angsty vocals, and a driven attitude (not to mention an interesting cover art) will certainly keep you coming back for more and more.
Just about every last song on the record could count as a highlight, but the ones that stood out the most for me were Wave Machine, Dead Meat, Infinity (which is strangely different than anything else on the album), Hurricane, Another Trick, Drowning in the Dark, and Beginning and the End. Definitely don’t sleep on this stuff, because I must warn you that you will be sorry if you do. Check out the songs I left ya below, and soon you’ll love Circle Pit. And if that’s not enough for you, I’d recommend listening to Top Surprise – there’s definitely some similarities between the two.
Infinity –
Another Trick –
Drowning in the Dark –
Beginning and the End –
My Rating: 8/10 Genre/ Tags: Post-Punk, Psychedelic, Indie Rock, Australian Bruise Constellation: Tracklist:
1.) Wave Machine
2.) Dead Meat
3.) Speed Limits
4.) Infinity
5.) Hurricane
6.) Another Trick
7.) Drowning in the Dark
8.) Shallow Grave
9.) Strange Blue
10.) Beginning and the End
Circle Pit on Myspace !
Follow Circle Pit on Tumblr BUY the LP directly from Insound
What’s up people. Today’s music of focus comes from a man you may already be familiar with. If you’ve ever heard bands like Foreign Born and Fool’s Gold, then you’re already halfway there.
BIG SEARCH is the moniker for recording artist Matt Popieluch, who is indeed the lead man in Foreign Born, and who also records with Fool’s Gold. Big Search is more of a solo project for Popieluch, unlike the other two bands I just named. According to the SC Distribution website, Popieluch has been working on and off on Big Search projects since as early as 1999, dating back to when he was still in college, spanning an array of “90-minute ‘albums’ destined for the vacuum of obscurity.” While most of these albums probably won’t ever see the light of day, this one here made it through the process, and it’s called “Lay of the Land”. It’s a nine-track album, spanning just over 35 minutes in length, and it was put out in vinyl and digital format from the St. Ives label – with the vinyl format being limited to just 200 copies, coming in hand-made covers designed by no other than the people behind the music – click the picture above and zoom in for more detail.
Before you jump to any conclusions, it’s probably a good idea to let you know something up front. If you’re expecting this to be exactly like anything from Fool’s Gold or Foreign Born, then you might be a bit upset. Parts of the album here and there might give nods back to Popieluch’s other bands, but for the most part, this album would fall into the ‘experimental’ category. Two of the most prominent songs that would fit into this category would be the guitar and banjo instrumental tracks.
“Banjo Instrumental” (which you can hear on the BS Myspace), is a constantly growing song, with layers of jangly, barnyard sounding banjo. Pretty much the same goes for “Guitar Instrumental” (only it’s a guitar this time), but the reason I even bother saying this is because they’re both genuinely interesting and certainly make for a unique listen – they paint an abstract picture in your mind, but the focus of that picture is up to you, depending on how these two songs make you feel. I think that’s part of the premise with these two tracks, too. They’re included in there to throw you off balance and get you thinking – not about anything in particular – but nonetheless to get some thoughts brewing, either about the music or what have you. Leave some comments on the post and let us know how these songs make you feel, because I’d love to hear your side of the story.
Aside from these two instrumental tracks, there’s still plenty more musical paths to be taken on this record. I’ve left you guys with as many songs as I possibly can, just make sure you check out “French Doors” and “Flyer’s Fall”, which are both equally awesome tracks. The Myspace has even more from the record, so with the exception of a few songs, you can pretty much hear all 35 minutes of this record on the web. And other than that Myspace page and this post on the Styrofoam Drone, I don’t know of any other place where you can hear these songs, so I think that’s what you’d consider to be somewhat of an ‘exclusive’. Oh yeah! So please enjoy, and leave some comments!
Lay of the Land –
French Doors –
Flyer’s Fall –
Guitar Instrumental –
My Rating: 7/10 Genre/ Tags: Experimental, Pop, Folk Lay of the Land: Tracklist:
1.) That’s All (Light On)
2.) Lay of the Land
3.) French Doors
4.) Grades
5.) Banjo Instrumental
6.) We Know
7.) Flyer’s Fall
8.) Guitar Instrumental
9.) Listen Up, You Understand
Big Search on Myspace BUY the LP directly from Insound – Limited to 200 w/ hand made covers
Hey dudes!! It was a busy weekend here at the Drone. After that post with the new Panda Bear 7″, the hit count shot up a significant amount – an amount big enough to shatter our previous record of pageviews (in a 24 hour period) by over 100 hits! So for that, I must thank all of you viewers. If I could personally shake each and every one of your hands, I would. Sadly, that probably won’t ever happen, although I would like it. So now you’re probably wondering what’s in store for the upcoming week. To start things off, we’ve got the debut LP from Pennsylvanian dark-pop band SOARS. This is their first official release, and it comes from La Société Expéditionnaire, also located in Pennsylvania.
For starters, this debut LP comes jam-packed with constantly fluctuating moods and feelings, as songs can go from one extreme to the other within short periods of time. For the most part, there’s almost always a creepy, foreboding feel weaved into the songs. The presence of a dark, murky energy hangs over your head, instigating you to make the wrong decisions – kind of like when the devil and an angel are depicted in movies and cartoons as hanging out on your shoulder, always giving you advice on what or what not to do. If you have no idea what I’m talking about, see this picture right here. While all of this goes on, there’s an uplifting, spiritual ambiance that without a doubt contradicts the other qualities of the music that I just described. Sometimes it’s extremely difficult to decide which one over-shadows the other more – like in the song “Figurehead”. The ambiance comes shining through, and once it does, it may make it hard for you to decide what you actually think of the music.
While all of this is going on, there’s still other qualities to the music. In just about every last song, there’s some sort of repetitive, electronic percussion. Considering that most of these songs fall into the longer category, this percussion tends to get a bit stale, and usually pretty quickly. It doesn’t give the songs that much depth, as it just continues to repeat over and over again, making some of these songs difficult to get into. Tracks like “Young Adult” and “Figurehead” escape this downfall by getting heavier and denser without ever loosening their grip, of course, until the song ends. Find out for yourself with the tracks I have for you below, and as always, don’t forget to come back for more tomorrow.
Throw Yourself Apart –
Figurehead –
Young Adult –
My Rating: 6/10 Genre/ Tags: Experimental, Pop, Ambient Soars: Tracklist:
1.) Introduction
2.) The Sun Breaks Every Way But One
3.) Throw Yourself Apart
4.) Escape on High
5.) Ditches
6.) Figurehead
7.) Young Adult
8.) Monolith
Soars – Official Website
Soars on Myspace BUY the self-titled LP directly from the label – Limited to 500 on colored vinyl !
For a good while, the WHITE DENIM camp was pretty silent. No announcements of any new records or tours or anything of the sort, even through the past Summer. Been waiting for them to tour the East coast for waaay too long at this point – the waiting is starting to get old. And then – just over a week ago, seemingly out of nowhere – White Denim announced that they had a brand new, free full length record for everybody to download. Talk about surprises.
Packaged along with their exciting announcement, they revealed that they had a brand new guitarist in the band, that they would be touring the West coast in October (go figure), and that they had ANOTHER new record to share with the world in due time. So let’s recap that all real quick: They have a new guitarist and his name is Austin Jenkins. They’re starting their tour of the West coast on October 16th in their home state of Texas, and last but not least, the announcement of their TWO new records. The first is the one that’s free for download. The second would be their third official full length album. That third album is still untitled, but they’ve been hard at work all summer, and they should be wrapping it all up by the end of October. In case yr wondering where I got all this information (because I would be myself), then follow this link here, and here.
So in the mean time while we wait for this third record, White Denim was nice enough to set these other songs free and call it “Last Day of Summer”. They say “This record is something we made as a little summer retreat from our ongoing work on the third full length. Many of these tunes have been bouncing around since the formation of the band back in 06.” So there you have it – that’s the story behind the songs. You can read the rest of that quote right here, where you can also download the record, and even support the band for their efforts. And maybe you should think twice about supporting! Think about it – they just basically released a full length album for free – something that definitely takes up mounds of valuable time and effort. Something they could also make much more money on if they pleased – but no! They did this for the fans. So do them a huge favor and show some support! They’ll need it on their upcoming tour!
Now, divert your attention to the music – in case you can’t do that just yet, first download the album. Now start listening! You’ll first notice the track “I’d Have It Just the Way We Were”, which was originally on their second album “Fits”. Only they changed it up a bit this time. Then comes the joyous, smile-inducing piano in the beautiful mess of the second track “Home Together”.
Seriously though, it’s really hard to write about these White Denim songs. Nothing ever settles down – there’s constant movement all the time. They never keep a sound or pattern going for too long so you can pin it down. It’s like they don’t want you to stop dancing – ever. Things are usually like a huge, sprawling mess that only White Denim could decipher. One song ends, and the other one starts – no drawn out intros or anything that might get old too quickly. They’re constantly seeking out what’s next – whether it’s the chiming, jazzy, elevator-like music of “Incaviglia” with it’s gorgeous guitar playing and unsettling drums. Or the straight down and dirty grit of the song “Champ” – which kind of drifts into space about halfway through – there’s guaranteed to be something to tickle your fancy on this new batch of WD songs.
There’s so much that could be said about the music. Sadly, I’d probably be here all day talking about it if I could, too. Other songs like “Our Get” and “New Coat” start going in opposite directions, but nothing unfamiliar for White Denim. “Our Get” somewhat reminds me of “Syncn” from the end of “Fits”, with that head in the clouds feeling. While “New Coat” is just another undeniably perfect song. It’s got that reassuring and warm, sun-in yr-eyes feeling that only White Denim could possibly whip up. Just trust me when I say, that each and every one of these songs has something unique and fresh about them – there’s a reason to like every last song on the album. If this is how their free album turns out, just imagine what it’s gonna be like when we have to pay for the music! YES! BRING THAT SHIT ON RIGHT NOW!
Home Together –
Tony Fatti –
Champ –
Our Get –
New Coat –
My Rating: 9/10 Genre/ Tags: Garage Rock, Indie Rock, Experimental Last Day of Summer: Tracklist:
1.) I’d Have It Just the Way We Were
2.) Home Together
3.) Tony Fatti
4.) If You’re Changing
5.) Incaviglia
6.) Light Light Light
7.) Some Wild Going Outward
8.) Champ
9.) Shy Billy
10.) Our Get
11.) Through Your Windows
12.) New Coat
BUY White Denim releases directly from Insound DOWNLOAD Last Day of Summer completely for FREE – Don’t forget to donate!
White Denim on Myspace
White Denim – Fits & Workout Holiday previously on the Drone
Styrofoam Drone 