Acres of Diamonds – Maria 7″

I know I didn’t post anything here yesterday, but that doesn’t mean I wasn’t busy finding new stuff for you guys. I made my way around the city yesterday in search of some new wax, and I came up with a few nice things. The first record I’m going to share comes straight from a Philadelphia band, and their name is ACRES OF DIAMONDS. Before snagging up this 7″ I was completely unaware of these guys, but that is no longer an issue. Good thing too, because these guys definitely have a nice sound going for them. It also never fails to make the music that much more interesting when it’s coming straight out of your own city.

So at times while listening to this stuff, some other bands lately dominating the headlines come to mind, such as the National or even the Arcade Fire. I say the National due to the vague vocal reminders of lead singer Jim Anderson to Matt Berninger in “Maria”, and the Arcade Fire for the use of the baroque piano and the ability to produce a huge and joyous orchestral sound. Part of that huge sounds comes from the fact that there are six different people in this band using six different instruments at once, so yeah, that’s pretty important. They also like to use of harmonies, (whether it be with the vocals or the guitars), and it certainly stands out in their music. These two things together are the perfect recipe for quite an addicting 7″, and it makes me all the more excited to check out their EP which has four other songs on it. This music would probably go great with the colder Winter months that aren’t as far off as we all think they are. Don’t go anywhere until you check these songs out though – I’m going to upload both of them. If that’s not enough for you, head on over to their Bandcamp page where you can listen to each song from their EP. In the meantime, hopefully these Philly-bros (and gals) don’t keep us waiting too long for some new material!

PS – I just started listening to the full EP…different band members take the vocal efforts in different songs.

Maria –

The Whole World –

My Rating: 8/10
Genre/ Tags: Indie Rock, Classic Rock
Maria 7″: Tracklist:
1.) Maria
2.) The Whole World

Acres of Diamonds on Myspace
Acres of Diamonds on Facebook
BUY the 7″ on their Bandcamp page

Tammar – I Live Here Now

Hey, remember TAMMAR from a post back in early July? Well if not you can click that link and go check it out – it’s their self-titled EP that came out back during 2008. To be honest with you, I didn’t know what these guys were up to when I made that post, but since then all of our “Where is Tammar?” questions have been answered. They’re now back on the scene with a brand new live EP called “I Live Here Now”, and it was literally just released by none other than the St. Ives imprint – which I am growing more fond of with each release I pick up. This brand new set of live tracks were all captured during the Summer of 2009 at Russian Recording in Bloomington, Indiana – which also happens to be Tammar’s hometown – and they couldn’t be more ready to share the music with you.

If you read the post from last time, you might already know what to expect. And if not, I’d be glad to fill you in with the details. So for starters, the biggest difference from their two releases is that this one was recorded live. The other one wasn’t. Only one song from their other EP made it onto this new live EP, and that would be “Weddle On II”. While the actual songs might be different, the fashion that they play them in certainly didn’t change much at all. And they still use those woozy, dazed-out keyboards in the background that gives each song a wobbly, confused feeling.

Just about every Tammar song I’ve heard starts out relatively simple and easy going, but sure enough each song begins to grow as time passes on, whether it’s a small subtle change or a huge wailing guitar lick, they get their point across, and they stay focused from beginning to end. Before you even realize, a song will turn into a huge wall of sound with dream-like textures as it evokes a fantastic feeling that you can take on the entire world. With that being said, I definitely think Tammar is a band that is meant to be experienced live before any other possible way. So it’s a good thing that all this stuff was recorded live in case you never get the chance to see them. This way you capture that live energy that may or may not be there when things are recorded in a studio. Speaking of live energy, the first song that really put me on the floor from this record was “Yung Jun”, and it’s quite a joyous number. I could seriously listen to it all day – hell, I pretty much did just that while driving pizza’s around town all day yesterday. I was ecstatic when I first heard it, and I hope you guys feel the same way. Definitely don’t miss out on this one, because it’s limited to 300 copies, and once people realize what they’re missing out on, these things won’t be around to buy anymore.

Yung Jun –

My Rating: 8.5/10
Genre/ Tags: Experimental, Pop, Indie Rock
I Live Here Now: Tracklist:
1.) Arrows Underwater
2.) Weddle On II
3.) Yung Jun
4.) Frost Meter

BUY the brand new album @ Insound! – Limited to 300 copies!
Tammar EP previously posted on the Styrofoam Drone
Tammar on Myspace
Tammar on Last.fm

Cloud Nothings – Didn’t You 7″

Dylan Baldi burst onto the scene last year with Cloud Nothings and the release of his first CD-R “Turning On”, and ever since then he hasn’t looked back. There’s a few other cassettes and singles out there with the Cloud Nothings name on it, but most recently would be this 7″ that we have here today. It was put out this past June by Old Flame Records, and it falls right in to place with the songs from the “Turning On” CD. Both of the songs are brand new, and they’re both instantly catchy and just aching rope you in. Check out “Didn’t You” right below, while you can check out “Even If It Worked Out” on the Cloud Nothings Myspace. You know, upon first listen these songs made me think of the First Base records we covered last week. Listen for yourself below and see what you think. Yo sorry for the short post dudes but I’m moving into a new house today and I need all the time I can get.

Didn’t You –

My Rating: 7/10
Genre/ Tags: Lo-Fi, Indie Rock, Pop
Didn’t You 7″: Tracklist:
1.) Didn’t You
2.) Even If It Worked Out

Cloud Nothings on Myspace
Buy the 7″ @ Insound!
Check out the “Turning On” CD-R from Bridgetown Records

Tammar – Tammar EP

Hello y’all. Today’s post comes from a record I just picked up from the record store over this past weekend, and I feel like this stuff is going to be new for you since it was for me. The name of the band is TAMMAR, and they’re from the unexpected Bloomington, Indiana. Their self-titled EP came out sometime back in 2008, which probably means this poor record was sitting in the record store for over a year! Poor thing. It’s all good though, because it has a home now, and it just so happens to be loved very much! I didn’t know what I was getting into when I bought this EP, but the main reason I picked it up that day was because it’s from the St. Ives imprint. As of lately, these St. Ives records have really hit the spot (See Radical Sons or Friendo), so I can’t help myself but pick up another one when I see it. You can mark my words that there will be another one up here sooner or later, I just have to find it first 😉

So who are these Tammar folk you ask? Well, for starters, I’m pretty sure this is their only official release, so the chances of finding this band any other way seems pretty slim. The EP is just under a half an hour long, and it’s filled with Tammar’s head spinning blend of wobbly indie pop – going from the headline on their Myspace page that reads “Wobble-Pop”. The first track “Summer Fun” fits this description best in my opinion, as the song’s sounds brings words like “confusing” and “amnesia” to mind. Amongst the pulsating bass lines and hazy sound effects, there’s plenty of things going on in these songs. The guitar comes in heavily about halfway through this track until the dizzy fade-out at the end of the song. This leaves us at the beginning of the next track “Weddle On”, which starts off with a fun intro that is sure to leave the listener guessing what direction this song is going to take. The song starts off somewhat slow and very quiet, but as time goes on the song picks up some speed, definitely gets louder, and it actually gets more and more complex over time. Come to think of it, a few of these songs take a similar form where they’ll start out slow and quiet, but as time goes on they get bigger, louder, and more intricate.

The following track goes almost hand-in-hand with what I just said, and it’s called “Dig A Hole”. This just so happens to be the longest song from the EP, as it clocks in at over seven minutes. The song starts out on a slow bass line with some eerie sound effects, and you’ll see as time passes that the song starts to form into it’s own. The steady drumming and the buzzing bass lines are always present as more and more begins to come out in the song, but they never break the song off into a different direction – they stay focused throughout and keep it moving forward without ever looking over their shoulder to see what could have been.

Skipping ahead to the final track of the EP called “Hot Juice” (just a quick thought – hot juice definitely doesn’t sound refreshing). But moving on. “Hot Juice” is definitely a highlight from this EP, and it starts out on some groovy keyboards. The drums and guitar slowly join in on the fun, and before you realize it they’re building up their song again as you listen to it. During the second minute the song turns into a fast-paced acid jam filled with lots of cowbell and more bouncy sounds. In other words, it’s just a long, intense jam out with enough sound effects and cowbell to keep you happy for days.

That’s the end of their EP, and unfortunately I don’t think these guys ever put out anything else. It doesn’t seem like Tammar ever gained the popularity they could have achieved, which is probably why there isn’t anything else to listen to, but I’ve been wrong many, many times in my life. Trust me. Listen to the songs below, and thanks for coming by again!

Summer Fun (3:57) –

Weddle On (5:13) –

Hot Juice (6:53) –

My Rating: 8/10
Genre/ Tags: Experimental, Pop, Indie Rock
Tammar EP: Tracklist:
1.) Summer Fun
2.) Weddle On
3.) Dig A Hole
4.) Emily’s Army
5.) Hot Juice

Tammar on Myspace
Tammar on Last.fm
Download the EP digitally from OtherMusic.com

Radical Sons – Throwing Knives

Hey all. This past Sunday was a great day. I made it to the record store for the first time in weeks, and while I was there I found some fantastic new records. Of the few things I picked up that day, one of them certainly stood out above the rest, and that record is called “Throwing Knives” by a band named RADICAL SONS. When I found it in the record store I had no idea what I was getting into. The main reason I bought it was because it was from the St. Ives label, and it wasn’t too pricey. With that being said, I can’t stress enough how good of a feeling it is to buy a record without any prior knowledge of the band, and then totally fall in the love with the music. Radical Sons totally caught me off guard considering my situation, and I hope you guys can enjoy these songs as much as I did.

The record has two sides (duh), but one side is all studio recordings, while the other is all demo takes of certain songs. According to the description on the Insound website, these demo tracks were recorded right at home, and the record sleeves were designed by the band members themselves. As the St. Ives label on the vinyl says, “The artist alone is to blame for the appearance of their St. Ives record.”, so if there are any problems with your record, you know who to blame! But seriously, how could you get mad at these guys after making such an awesome record?

The band originally started back in 2008 with Ben Goldstein and Nick Risler when they still lived in St. Louis, and since then they’ve moved to Brooklyn, NY (no surprise there), and then they released their first record “Throwing Knives”, which is why I am here today. You can listen to three of the songs below, ripped directly from the vinyl itself. Some parts of the songs get noisy, other parts sound like tropical calypso music (the beginning of Planes & Trains), and other parts they just rock out, but they always manage to do all of these things while staying within the confines of their own sound. Hey, thanks for coming by again today, and as always, enjoy the music!

I’m So Sick of the 21st Century –

Throwing Knives –

Planes & Trains –

My Rating: 9/10
Genre/ Tags: Garage Rock, Noise Rock, Indie Rock
Throwing Knives: Tracklist:
1.) I’m So Sick of the 21st Century
2.) River City
3.) Throwing Knives
4.) All Signs Show
5.) Planes & Trains
6.) Midnight Reducers (Demo)
7.) River City (Demo)
8.) All Signs Show (Demo)
9.) Planes & Trains (Demo)
10.) Scavengers (Demo)

Check out Radical Sons on Myspace!
You can buy it at insound!

You Can Be a Wesley – Heard Like Us

Alright, so I’m pretty sure I know what you’re thinking right now. You Can Be a Wesley?? Yes actually, You Can Be a Wesley. That is the name of this band. And you better get used to it, because chances are You Can Be a Wesley are going finagle their way into your brain, and once that happens, it’s going to be too late. The damage has already been done.

You Can Be a Wesley hail from the wonderful city of Boston, and the band is made up of 4 members. Saara Untracht-Oakner takes vocal duties, and she is certainly a force to be reckoned with in this band. Her voice is that of a goddess – so clear and it stands out so well in the recordings that you may not even believe your ears at first listen. She is backed up by her immensely talented band mates – Winston, Nick and Dan – who all create Earth-shattering songs dominated by epic guitar licks and relentless, crashing drums. You Can Be a Wesley totally caught me off guard (I bought their LP on a whim, it was affordable I had no idea what I was getting into), and I hope they do the same for you.

“Heard Like Us” is a little over a half hour long, and it’s equally powerful and ambitious at the same time. The album kicks off on the instrumental track “6/8 Tengo”. Although it’s instrumental and you’re not getting the full YCBAW treatment just yet, this track still sets the tone for the rest of the album. It kind of hints at what’s in store for you later into the album, and they do a pretty good job with it. There’s a mysterious feeling mixed in somewhere in there between the ground-shaking bass lines. Next up would be the song “Stuck in a Battle”, and this is when full-throttle YCBAW begins.

The song starts off with a quick burst of happiness as everybody yells “Hey hey!” and there’s no looking back from there. You’re going to be a YCBAW fan shortly after. At least I think so. Saara’s voice hangs over our heads as she howls through the song, on top of hi-hat rolls and nasty guitar licks. For the last 30 seconds of the song it’s them straight up rocking out before the song comes to a close. Coming up next is the track “Kiddie Pool”, which they start out with a laid back intro as Saara continues to grace us with her wonderful voice. They kick it up right around the 1 minute mark as Saara sings “I remember it all”. This is one of the songs on the record that gives this band a sort of folk tinge, mainly due to the guitars. A bit past the midway mark and Saara is singing “Kiddie pool with a popsicle”, evoking summery childhood feelings of when you used to hang out in your backyard with your cousins without a single worry or care in the world. They continue on as Saara sings “And it stuck in my head”, possibly referring to one of her earlier childhood memories that she could never quite shake off, good or bad memories alike.

Skipping ahead to the song “Creatures”. The rhythm section kicks off this song, and shortly after they’re joined by the rest of the band. Saara then lets us know that she’s “been dreaming about creatures, coming from dunes on foggy beaches.” She claims that she’s trying to avoid them, but they just keep creeping on back. The song continues on like this for awhile until they change it up right around the 3 minute mark and they begin to pick up some momentum. They ride this momentum out until it can’t be contained anymore as Saara shrieks and the guitars and everything else comes at us full-throttle. Once that’s over they let us catch our breath again and take a step back on the intensity as the song comes to an end. Next up would be the folky goodness of the track “Make Up Your God”, which Saara urges us to do time and time again throughout the song. Her voice sways back and forth during the song – almost as if it’s riding a wave – and it’s enough to make you want to share this band with the world, hence why I’m writing this post. There are still two more songs on the album, but I’m running out of time. Be sure to listen to the songs I have for you below, this way you can decide if you feel the same way about You Can Be a Wesley. One thing we still don’t know – even after listening to the album countless times – is who the hell is Wesley? I guess that’s up for interpretation? Either way, fabulous stuff right here. Check it out below.

My Rating: 9/10
Genre/ Tags: Pop, Folk Rock, Indie Rock
Heard Like Us: Tracklist
1.) 6/8 Tengo
2.) Stuck in a Battle
3.) Kiddie Pool
4.) Wildlife
5.) Creatures
6.) Make Up Your God
7.) Fourth Walls
8.) Rearrange the Sea

You Can Be a Wesley – Official Website!
You Can Be a Wesley on Myspace
Download the album here!

Free Energy – Stuck On Nothing

My Rating: 8/10
Genre/ Tags: Alternative, Indie Rock, Pop

Free Energy formed in the Fall of 2008. Most of the band had already known each other from playing in a previous band called “Hockey Night” together. Originally from Minnesota, Scott Wells, Evan Wells and Paul Sprangers moved to the wonderful city of Philadelphia. When in Philadelphia they met guitarist Geoff Bucknam and drummer Nick Shuminsky, and shortly afterword, the band Free Energy came into existence. Their time as a band has been relatively short thus far, but they already have an EP out, and their first full length album “Stuck On Nothing” is due out on May 4th by DFA Records. If you’ve read about Free Energy anywhere else on the web, then you already know this album was produced by LCD Soundsystem’s James Murphy.

Before getting into this record, I didn’t know what I should be expecting. The most I knew about these guys were that they were from my city, Philadelphia, which is probably the original reason I decided to listen to them. It’s always cooler when the band is from the same city you’re from. But moving on. “Stuck On Nothing” holds a lot of talent on both ends, musically and lyrically. With that being said, I’d like to say that “Stuck On Nothing” was an extremely refreshing listen the first time around. It’s great that a band still wants to make a record like this, reminding many listeners of the classic rock days and the classic rock radio stations that play all of your beloved bands from the past. Lead singer Paul Sprangers guides us through the album with his reassuring vocals, and that becomes clear shortly after the album begins.

According to Sprangers, the first track “Free Energy”, is “kind of a survey of everything that we’re about. That song has a lot of elements of what we’re trying to do. It’s got really driving choruses, big simple riffs, really melodic harmonies, and wild guitar solos.” (via the LAist). Take it from the band member himself, because he’s right on the money. If you have a moment, read the rest of that interview too; it’s quite entertaining and insightful. But you heard the man, and he’s not just pulling our leg either. The album really is chock-full of this stuff. The “wild guitar solos” are constantly popping up left and right, like in “Bang Pop”, “All I Know” and especially “Bad Stuff”. “Bad Stuff”, the second longest on the album, is kind of a song on its own. Sprangers sings “If you feel my heart, then we’re tied by fate,” shortly before the epic ending begins. It’s slower and still full of excellent guitar work, but it evokes a different feeling that you don’t quite get anywhere else on the album. If you haven’t already been able to tell, this album is certainly worth all 45 minutes that it carries. Just about every last song would qualify as a highlight, including “Dream City”, “Light Love”, “Hope Child”, and “Wild Winds”. Just wait until May 28th, when most of these highlights will come to life at the First Unitarian Church in Philadelphia. I think I speak for us all when I say that this show won’t come soon enough.

Bad Stuff –

Hope Child –

Free Energy Official Website
Free Energy on Myspace
BUY the Free Energy 7″ directly from the DFA Records webstore
Check out this awesome interview with Paul Sprangers by the LAist

White Denim – Workout Holiday

My Rating: 10/10
Genre/ Tags: Blues Rock, Garage Rock, Indie Rock

Back when it was still 2009, which now seems like it was forever ago, I was just beginning to discover the magic that is White Denim. After starting off with their most recent effort, titled “Fits”, I was totally hooked on White Denim. It was unusual if I didn’t hear multiple songs by them in a single day, and they would be all the same tracks, considering I only had their latest album. Over some time I figured the only way too hear more music like White Denim was to seek out other White Denim releases, so, of course, I couldn’t just sit back and deprive myself – I went out in search of other White Denim albums. To my surprise, none of the records stores in Philadelphia had anything, so I was forced to turn to the internet. After searching the web, I had located just one other White Denim record, and it was in Osaka, Japan in a record store called Panda Panda Records. Not a problem. I purchased it online, and just under 2 weeks later I had a brand new, still sealed White Denim record at my front door. It didn’t stay sealed for long either.

After getting a whole new dose of White Denim songs, I was once again floored. How do they do that!? In the beginning I would have preferred listening to Fits up until getting Workout Holiday. Now when someone mentions White Denim all I can think about are tracks like “All You Really Have To Do”, “I Can Tell You”, “Mess Your Hair Up”, “Hearts from Us All” and “Don’t Look That Way at It”. The song “All You Really Have To Do” features some wild guitar and bass work, with parts of the song almost being like the two instruments are having a conversation with each other. “Mess Your Hair Up”, the longest track from the album, deserves a lot of attention as well. I am especially fond of when lead singer James Petralli sings “In the backseat, my heart attacks me, when you ask me…” and they go into this hazy, almost ambient like part of the song that a first listener would have never ever even thought was coming up. At this point it’s almost like the guitar is having another conversation with itself – they pause things for a moment and say “ahhh-oohhhhh”, only to begin the madness once again with a fuzzy bass line. I have a video that I came across on YouTube one day, and it features the trio playing these two wonderfully amazing tracks, one right into the other. It wouldn’t be White Denim if they took a break between the songs. The energy is ridiculous – these guys really know how to deliver. Just look at how much they’re sweating by the time the songs end. Seeing this band perform live is at the highest position on my list of thing to do. When they do go on tour, I plan on seeing them in multiple cities.

Workout Holiday: Tracklist
1. “Let’s Talk About It” – 3:53
2. “Shake Shake Shake” – 2:37
3. “Sitting” – 2:16
4. “I Can Tell You” – 1:57
5. “Mess Your Hair Up” – 4:48
6. “Heart From Us All” – 3:10
7. “All You Really Have To Do” – 2:48
8. “Look That Way At It” – 3:25
9. “Darksided Computer Mouth” – 2:15
10. “WDA” – 3:03
11. “Don’t Look That Way At It” – 4:03
12. “IEIEI” – 3:13

White Denim’s Official Website
White Denim on Myspace
Workout Holiday: BUY

Library of Congress – Selected Writings on the Human Condition

The Library of Congress are no longer a band anymore, but they once hailed from the wonderful town of Glen Rock, New Jersey. Before bands like Titus Andronicus, Real Estate, and Ducktails (all from NJ), the Library of Congress had formed while all the band members of those bands were still enjoying their days in high school together. The line-up for the Library of Congress consisted of Andrew Cedermark on guitar and lead vocals, Kyle Cedermark on drums, Martin Courtney IV on bass guitar and vocals, Patrick Stickles on guitar and vocals, Sarim Al-Rawi on guitar, and Matt Miller on keyboards. Some of these names might be strikingly familiar to you, mainly because they’re the members of the bands that have been getting all the attention lately. Martin Courtney IV is now the lead singer and guitarist of Real Estate, while Patrick Stickles is the lead singer and guitarist of Titus Andronicus. Andrew Cedermark also spent some time playing in Titus Andronicus, and he also releases solo material on the Underwater Peoples label, check him out here.

As far as this release from the Library of Congress goes, I don’t really have any information on it. ~~I’m not even sure if the name of the album is “Pure White Love”, I’m just using that for blog-writing purposes.~~ [ EDIT: I have been informed that the name of this album is “Selected Writings on the Human Condition”. Thought you might like to know that. ] The most I can tell you is that their name was once “Seizing Elian”, and throughout their time as a band, Andrew Cedermark was the lead singer. I don’t know what year the album was released, what label put it out, or where you can buy it, but I can tell you that it is worth your time, especially if you’re even the slightest fan of any of those bands I listed earlier. It gives you insight to their earlier days of music before they’re bigger, more popular bands emerged, and it shows you how each band went in their own, unique direction. Real Estate took the more polished poppy psychedelic route while Titus Andronicus took the rugged dirt path to ramshackle punk rock. If there is anything worth telling you readers, it’s the fact that there is a song on this album called “Albert Camus” which is an earlier version of Titus Andronicus’ album closer from “The Airing of Grievances”. Exciting!

My Rating: 9/10
Genre/ Tags: Indie Rock, Alternative, Rock
Selected Writings on the Human Condition: Tracklist
1.) Pure White Love
2.) Internal Citations
3.) Doctor Faustus
4.) Fire Extinguisher
5.) Lustful Monk
6.) Second Quarter Transcript
7.) Snow
8.) Albert Camus
9.) Latin for All Occasions, Pt. 1
10.) Have a Nice Summer

The Library of Congress on Myspace
Selected Writings on the Human Condition: TRY (download link)
A compilation album featuring a song from the Library of Congress: BUY
Stuff by Andrew Cedermark and Underwater Peoples: BUY

Pavement – Perfect Sound Forever

My Rating: 8/10
Genre/ Tags: Indie Rock, Noise Rock

Since I love Pavement so much, and so do you (you do love Pavement, right?), I have decided to post MORE Pavement today! How exciting! Today I have an EP for you that comes from the very early Pavement days, dating back to April 15th, 1991. This EP was the third release from Pavement, and it was put out by the label Drag City. Good luck finding this EP though, because it has been out of print for years. Your best bet would be eBay…or Philadelphia’s Punk Rock Flea Market (when in season), where I happily scored my very own copy. I already posted a bit of information on this release for the “Band of the Week” feature today. Basically, because this an early Pavement release, it’s not going to sound exactly like the Pavement you and I love and cherish so much. Most of the songs from Pavement’s early days can easily be considered nosiy, rackety, strange, and possibly even mysterious.

The best (and most ridiculous) example of one of these songs would be “Drive-By Fader”. Seriously? Come on. What is that? It’s just a 28 second song that sounds like a distorted piano/ keyboard that if you listened to long enough would eventually become a headache inducer. Seriously. Listen for yourself on YouTube. Not all of these noisy tracks are so bad though. The opening track “Heckler Spray” is a much more accessible noise track than any of the others, with its heavy guitars and steady drum beat. I actually wish this song was much longer, because it would probably turn out to be quite a bad ass track. Check it out on YouTube right here. See what I mean? They could have kept that going, man! Aside from these noisy tracks, there are a few more traditional songs found on the EP, like the track “Angel Carver Blues/Mellow Jazz Docent”. This is a great song with a sick introduction, but the best part comes within the last 3 seconds when Malkmus utters the word “Fuck.” No other word could have been more appropriate here. Other tracks surely worth checking out are “Home”, and my personal favorite, “Debris Slide”, with it’s silly chants that are fun to sing along with. Check those two songs out right below, or here. Thanks for reading, and be sure to check-in again tomorrow.

Pavement – Debris Slide

Pavement – Home

Perfect Sound Forever: Tracklist
1. “Heckler Spray” – 1:06
2. “From Now On” – 2:03
3. “Angel Carver Blues/Mellow Jazz Docent” – 2:30
4. “Drive by Fader” – 0:28
5. “Debris Slide” – 1:56
6. “Home” – 2:23
7. “Krell Vid-User” – 1:26

Pavement: Official Website
Perfect Sound Forever: You definitely can’t buy this record anywhere but eBay. You could just buy the “Westing (by Musket & Sextant)” compilation which includes all the tracks from the EP and more! – BUY!