Not long ago we covered the latest Haunted House 7″ from the band Florida. Now were going to take a closer look at their debut 7″ entitled “Icarus”, which was put out by the one and only SHDWPLY Records. Although the record is now sold out, you can still find it if you search hard enough, like right here. It’s pretty cool – the 7″ comes with a pair of 3D glasses unlike any other record I’ve ever bought. So if you’re wondering if you should buy that, 3D glasses are a pretty good incentive.
Like the previous 7″, this one has just two tracks, one on each side, and they’re just about as creepy and shiny as the last batch of Florida songs. Creepy mostly fits in with the opening track “Icarus” as lead singer Daniel Rineer’s voice is towering over everything as he sings “You can fly but you’ll put out an eye or two before you come down.” About halfway through the track they change things up a bit and Rineer can be heard howling into the mix. Flipping over to the b-side “Once Yr In It”, this track is glistening with a chiming sound effect in the background for just about the entire length of the song. Rineer’s voice sails smoothly over the mix as things build up more and more in the song until about the final minute and a half. Suddenly the guitar solo comes through almost simultaneously with the roll of the drums. They draw out this sweet jam session for a short bit until the song comes to an end. That’s all for this 7″, but you can check out more music from Florida right over on their Myspace.
Icarus –
Once Yr In It –
My Rating: 7/10 Genre/ Tags: Psychedelic, Lo-Fi Icarus 7″: Tracklist
1.) Icarus
2.) Once Yr In It
Florida on Myspace BUY the Haunted House 7″ and a bunch of other gems from SHDWPLY Records BUY the Icarus 7″ directly from Goner-Records.com
Mount Carmel is a fairly new 3-piece band who hail from the wonderful Columbus, Ohio. Almost exactly one month ago, their debut album, the self-titled “Mount Carmel”, was released by Siltbreeze Records, and ever since, it’s been stirring up quite a bit of excitement. Much of that excitement would be due to the albums raw, invigorating sound that brings people back to their days in the 60’s (or 70’s) of blues rock and when it was just beginning to make waves. With that being said, it sounds like this record was recorded straight out of the 70’s, which certainly gives it more of an authentic feel. Going by the Siltbreeze description of the album, chances are you’re going to hear “Peter Green-era Bluesbreakers, Cream and Ten Years After” in their sound (and they actually cover the song “Hear Me Callin” by Ten Years After). Fine by me! Bring it on!
The album kicks off on the track “Livin Like I Wanna”, and it won’t take long for you to figure out what direction this is going, especially if you read the paragraph above. Shortly into the song lead singer Matthew Reed joins in the mix, and it’s pretty much a done-deal after that. His howling vocals go a long way in giving these guys that 70’s rock sound, although most of that would be due to the instrumentation, but his vocals still play a major role in the sound. Not only are Reed’s vocals essential, but the guitar plays an even greater role. Throughout the entire record, the guitars have a beyond-satisfying raw and electrifying sound, complete with face-searing guitar solos and catchy, memorable hooks. Some of these earth-shattering guitar solos can be found in tracks like “Livin Like I Wanna”, “Still Listening”, “ZZ Breakers”, and pretty much all throughout the entire 40 minutes of the record. That’s no exaggeration either, every song has it’s moment – whether it’s the 3 minute drum attack or an onslaught of guitar solos and letting the good times roll – this album is bound to keep you listening. Why not find out for yourself and check out the songs below?!
Livin Like I Wanna –
Still Listening –
ZZ Breakers –
My Rating: 8/10 Genre/ Tags: Blues Rock, Psychedelic Mount Carmel: Tracklist
1.) Livin Like I Wanna
2.) Still Listening
3.) ZZ Breakers
4.) Sacksburg
5.) Hear Me Callin (Ten Years After cover)
6.) I Work While You’re Sleeping
7.) Studio Jam
White Fence is the one-man bedroom pop outfit led by the one and only Tim Presley. Presley plays in a few other bands aside from White Fence, so you could consider White Fence more of a side-project before anything. Presley currently plays guitar and sings in the band Darker My Love, and he is listed as a band member on the Strange Boys Myspace page, being credited for “vocals and laughs”. Presley’s first full length album by himself came out just this year in 2010, and it was released on CD and digitally by Woodsist Records, while Make a Mess Records took care of the vinyl format. Woodsist rules and everything, but I’m going to have to suggest you buy the vinyl format for this one.
From beginning to end, this record is jam-packed with short, hazy lo-fi garage gems that are bound to crawl under your skin one way or another. Given that there are 16 tracks on the record, there’s a pretty good chance that at least one of these songs will catch you and keep you coming back for more. Whether it’s a gritty sounding psychedelic track (“Destroy Everything”) or a laid back bluesy guitar jam (“Hard Finish on Mirror Mile”), this album has the goods to reel you in and keep you hooked. The album starts off on the track “Mr. Adams”, and it’s sure to give you a taste of what the rest of the record is going to sound like. That lo-fi haze is immediately noticeable, and then Presley’s eerie, bone chilling vocals come into play. “Mr. Adams” plays directly into the next track “Who Feels Right”, which continues on in this lo-fi, haunting vocals fashion. The drumming keeps going steadily as Presley howls over everything to bring the track to an end.
“Slaughter on the Sunset Strip” definitely falls onto the blues side of the White Fence before anything else. About halfway through this track there is a nasally sounding lick, and then the twangy lead guitar finds it’s way back into the mix to lead you out. Next up would be the totally blissed out “I’ll Follow You”, which just so happens to be the longest song on the record. Bells, maracas and an incredibly fuzzy guitar solo dominate this tune, and it all gets put on hold for the final minute of the track while Presley takes us out on some acoustic guitar. Next track “The Love Between” can either be a hit or miss. The repeating keyboards could easily be enough to drive any listener mad, but then Presley’s spaced out and broken up guitar solo at the end change the vibe completely. Skipping ahead to “Destory Everything”, this could be one of the highlights from the record. The distorted guitar riff in the beginning is enough to give any listener a headache, but the heavy distortion goes a long way in giving this song an increasingly fuzzy and static-like feeling. Right around the one and a half minute mark Presley graces us with a hell of a fuzzed-guitar solo, and that brings us to the end of the song. That’s the end for this review, but it doesn’t have to be over just yet. Listen to the few songs I have for you below, and as always, be sure to come back again tomorrow!
I’ll Follow You –
Destroy Everything –
Hard Finish on Mirror Mile –
My Rating: 7/10 Genre/ Tags: Lo-Fi, Garage Rock, Psychedelic White Fence: Tracklist
1.) Mr. Adams
2.) Who Feels Right
3.) Slaughter on Sunset Strip
4.) I’ll Follow You
5.) The Love Between
6.) Sara Snow
7.) Baxter Corner
8.) The Gallery
9.) Tildas
10.) Destroy Everything
11.) Ring Around a Square
12.) Box Disease, Today Bond
13.) Hard Finish on Mirror Mile
14.) I Need You
15.) Sick Doctor Blues
16.) Be Right Too
Hailing from the ever-populated Austin, Texas comes the band Pure Ecstasy, led by 27-year-old singer-songwriter Nate Grace. His band makes warm and fuzzy pop songs drowned in seemingly endless layers of reverb, and they’re all instantly catchy and bound to crawl into your head and be stuck there for days. The songs evoke a sense that you’re stuck on a endless beach somewhere, and there is nothing around but you and the hot, hazy, blistering sun. Although you may think the same thing, chances are you’ll come up with you’re own explanation for the music, but either way, get your repeat buttons ready for this band.
Just like every 7″ out there, we know there’s not going to be a whole lot of material to listen to. Most of the time after listening to a 7″, you’re going to want to spin it again because it was so short. That’s exactly what happens with this record, and even after spinning it countless times, it still doesn’t loosen it’s grasp. The record starts off with the poppy song “Easy”, and right at the beginning singer Nate Grace is there to welcome you. It doesn’t take long for you to realize how hazy and drowned out these songs actually are either. The distant hum of the bass guitar seems like it’s buried somewhere miles away, and you’ll notice that the music has an increasingly longing feeling to it. The track “Easy” ends somewhere around the 2 and a half minute mark, and then comes another “mini track”. The last minute of the song is another hazy-buzz jam with some calming guitar licks, and shortly after the song fades out and it’s time for the B-side. Flip that shit.
Now we’re on the B-side. Pretty intuitive right? Yeah, you guys are smart! Just kidding though. The B-side, in my opinion, is the highlight on this 7″. The song is called “Baby”, and it’s 3 and a half minutes of straight up mellowed out dream pop. Undeniably tranquillizing, this song is bound to bring thoughts to your mind like “Relaaaaax” and “Take it easyyyyy”. With that being said, it’s probably a good point to say this is a fantastic song to put on while trying to fall asleep at night. The song is held together by the constant shake of the maracas, all while Nate Grace’s spaced out guitar solos are sure to hypnotize any listener into spinning this gem of a 7″ again and again. Please do yourself a HUGE favor and listen to this band, and then do the band a HUGE favor and buy their records! Thanks for reading, and be sure to listen to the song “Baby” below! If you want to hear the A-side song “Easy”, just go to their Myspace.
Pure Ecstasy on Tumblr
Pure Ecstasy on Myspace
Buy the “Easy” 7″ directly from LIGHT LODGE before it sells out!
Buy their latest 7″ directly from Acéphale Records before that sells out too!
Some of you may already be familiar with Long Legged Woman. If so, then you already know the deal. If not, then it may come as a surprise to you that they’re no longer a band anymore.
After three years of playing together, the band finally decided to call it quits. The lifespan of Long Legged Woman yielded many releases, one being this LP I have here today, along with multiple CD-R’s, endless touring, tapes, and some 7″ records. Now although the band called it quits, that doesn’t mean the members involved have given up on music entirely. Instead, they just moved on to other projects. As said on their Myspace by band member Justin, “We’ve decided to not go separate ways but do some different shit. Get my drift? We’re not quitting music, in fact, we’re making more shit now than ever.” He’s not lying either. You can check out his latest band right here on Myspace, and their called CCR Headcleaner. Hooray for extensive touring!
As for the Long Legged Woman outfit, it’s too bad their not going to be playing shows anymore. The heavy guitars that produce a wall of sound and practically dominate every song on the LP can’t quite be experienced the same way now. CCR Headcleaner may be capable of pulling it off, but they just don’t quite hit that mark that Long Legged Woman did. Granted there are only two songs on the CCR Myspace, so there is always room to be proven wrong, but right now I’m still leaning towards LLW.
Listening to songs on their “Nobody Knows This is Nowhere” LP could potentially send you straight to the floor. Tracks like “Vinegar”, “You Found Out”, “Something is Pressing Against it From the Inside”, “When I Was Asleep”, and “Yours is Mine” are sure to leave you speechless, and quite possibly without much of an opinion at all, but by any chance begging for more of the face pounding action. Their relentless approach to the music may scare off a good amount of listeners, but it’s the ones that stick around to hear what’s next that really matter. One highlight from the album that is certainly worth all 7 minutes and 30 seconds of your time is the track “Psych Jam”. I say this now because it’s definitely a song with a “relentless approach”. It’s just nonstop, constantly in-yr-face howling guitars, crashing cymbals, and squealing guitar solos. It’s enough to completely disorient any listener, and just enough to make your head spin in all possible directions. As I read somewhere on the web, “it’s enough to make your brain explode”. Although this does not sound safe, I highly recommend you give it a shot. Listen to Long Legged Woman. I have mp3’s for you below!
Something is Pressing Against it from the Inside –
Vinegar –
My Rating: 7/10 Genre/ Tags: Noise Rock, Psychedelic, Punk Nobody Knows This is Nowhere: Tracklist
1.) Vinegar
2.) You Found Out
3.) Something is Pressing Against it From the Inside
4.) Bath House
5.) Psych Jam
6.) When I Was Asleep
7.) Racoon in a Coon Skin Cap
8.) The Horse Holds it’s Own Reins
9.) Yours is Mine
10.) He Was a Narc but We Loved Him Anyway
11.) I Have a Scheme…
12.) But There’s Something Going On
Believe it or not, (The Sounds of) Kaleidoscope may have been around for longer than you once thought. The band originally formed in Washington D.C. back in the winter of 2000, when they put out some of their earlier releases, like their first few EPs. The band remained in Washington D.C. until the summer of 2007 when they decided to move to Philadelphia, which from here on out they considered Philadelphia to be their home. As of currently the band still resides in Philadelphia, and they’re most recent release was put out in 2008 on Turnstile Records, and it’s called “All This Heaven”. As far as I know, this is the most recent release from the band.
The album starts off with quite a racket. The first track “Which Witch is Which” begins on a terrifying note, with the song being nothing more than some screeching and scratching. This is bound to leave any listener questioning what they are about to get themselves into. Things don’t stay this way for very long though, and that’s probably a good thing. The following track “Get the Joke” kicks off with a much more inviting sound, and shortly into it you’re probably thinking “Why the hell wasn’t this the opening track?” Right around the 2 and a half minute mark, the song begins to build up into much more, with the lead guitar bringing us along for the ride and moving the song forward.
The next track “Lines” is certainly a highlight from the album. The song starts off with just some guitar, but slowly picks up one instrument at a time. First the fuzzy bass guitar slides on in, which is then followed by the splash of a few cymbals. Then the drummer gives us a steady beat, and this is when the song begins to take form. Right after the 2 minute mark the lead guitar and vocals come in, and that’s when the song continues to grow. A lot of the music on this record builds up in the same fashion, almost producing a soundscape in which you can immerse yourself in. The next track is “The Complete Lights”, and this one kicks off much differently than the prior tracks. They don’t waste any time starting this one, and about halfway through you’re met with a huge, thunderous guitar solo that sounds as if the god’s up in the sky have become angered. The tom-toms and the rhythm guitar help give the solo that destructive feeling before the track closes out with some familiar drum rolls. Moving onto the next track “The Story About the Knives”, this one starts off a bit slower and laid back. The guitars that introduce almost hint at something bigger and better to come, all over top of that groovy bass line. Sure enough, right around the 4 minute mark, the song changes pace and you’re once again immersed in the middle of another “Kaleidoscope” soundscape. Be sure to listen to this song below.
Skipping ahead to the track “Dead Room”, this just happens to be the longest track on the album, clocking in at over 7 minutes. Perhaps they call this one dead room because of the 3 and half minute intro. For 3 minutes it just sounds like all the members were told to screw around with their instruments, and this intro was the result. Complete with screeching door sound effects, this is definitely what it would sound like to be in a “Dead Room”, but remember, this is just the intro. Right at the 3 and half minute mark the song kicks off, and almost immediately the bass line comes in. This is when the song becomes dangerously catchy, and the bass line is sure to keep your foot tapping. The ghastly lead guitars do a nice job of guiding you through the track yet again, right into the vocals of lead singer Damien C. Taylor. Along with “Lines”, “The Complete Lights”, “The Story About the Knives”, and “This is False Telegraph”, this song fits right into the highlight category for this album. Be sure to listen to the mp3’s below.
Dead Room –
The Story About the Knives –
This is False Telegraph –
My Rating: 8/10 Genre/ Tags: Post-Rock, Psychedelic, Shoegaze All This Heaven: Tracklist
1.) Which Witch is Which
2.) Get the Joke
3.) Lines
4.) The Complete Lights
5.) The Story About the Knives
6.) 13 Days
7.) Cicada Song
8.) Dead Room
9.) Learn To Forget
10.) Asa Nisi Masa
11.) This Is False Telegraph
12.) You Know Who
(The Sounds of) Kaleidoscope on Myspace
Listen to the album in its entirety right here > Apollo Audio
I feel like the word ‘intense’ comes up time and time again when people are talking about music. Most of the time it seems like the word is being overused in all situations, but then there are those times when it’s completely necessary. This is one of those times.
For the past 24 hours I have been listening to Mi Ami’s latest full length effort from Thrill Jockey, and let me tell you people, this one is quite overwhelming, but not necessarily in a bad way. The face-melting trio that is Mi Ami take you on a hell of a journey into their musical world, and once you get sucked in, it might be too late to come back out.
The album kicks off without much time to breath at all – literally right off the bat lead singer Daniel Martin-McCormick is shoving his words down our throat in “Harmonics (Genius of Love)”. This right here might already prove to be too intense, but keep on listening and things tend to become a little less over-bearing. Throughout the song they quiet things down so you can figure out what the hell is going on, but never for too long. By the time you’re in the last minute of the song, the shit just hits the fan entirely. An incredibly noisy, sandpapery, cacophonous guitar drowns out just about everything but the guitar itself, all while Martin-McCormick continues to berate us with his completely unintelligible vocals.
Moving on to the next track “Latin Lover”. This song has a much more welcoming beginning, and perhaps could be the most accessible song on “Steal Your Face” for any listener. The dancey drum beats certainly help make that a possibility, but that decision is really up to you! A bit past the two minute mark of the song and you’ll find yourself in the midst of a metallic, scratchy guitar solo, all while the drums keep guiding you along. By the time you reach the end of the song, you’re forced right into another demonic, shape-shifting electronic mess. I’m not entirely sure what it is that’s making those sounds, but once again the intensity is coming at you full-throttle.
The following track “Dreamers” takes a step back from where the previous two tracks were. They slow everything down significantly, and this is where Mi Ami give you the time to think and put a few thoughts together. This is one of the two longest tracks on the album, so they’re definitely trying to give you some time to catch your breath here. The slow, lazy sounding tom-tom rolls and the echoing bass line can actually be heard in this song, as they’re not being drowned out by ruthless yelping and jarring guitar work. The tribal rhythms continue on this way for the greater portion of this song until the final 2 minutes come into the play. At this point the song slowly gains ferociousness until it’s built up into another huge face-searing guitar solo, which the end result of is an enormous wall of sound that takes us to the end of the song. When the next track “Secrets” starts up, you’ll find yourself back in familiar Mi Ami territory. Martin-McCormick’s squealing vocals and drummer Damon Palermo’s relentless and completely nontraditional drumming styles come back into play, all over top of some screeching sound effects.
This is where I must call it a day. Once again, school work is calling my name, but not for much longer! The end of the year is within sight! Be sure to listen to the songs below if you’re looking to have your face stolen today. OMG band joke!
Latin Lover –
Secrets –
My Rating: 8/10 Genre/ Tags: Noise Rock, Experimental, Psychedelic Steal Your Face: Tracklist
1.) Harmonics (Genius of Love)
2.) Latin Lover
3.) Dreamers
4.) Secrets
5.) Native Americans (Born in the U.S.A.)
6.) Slow
My Rating: 8/10 Genre/ Tags: Lo-Fi, Noise Rock, Psychedelic
Good afternoon everybody. As you may remember, a few weeks back I had received a couple of 7″ singles from Matt Beck of SHDWPLY Records. The first single that we covered was the “Haunted House” 7″ by Brooklyn’s own Florida, and today we have the second single.
It’s by a band called The Super Vacations who hail from Virginia. They have a noisy, lo-fi pop sound that’s also a bit on the psychedelic side, but never do they let one of these elements overcome the rest in their music – it’s all their all the time, which may be why this 7″ is such an interesting listen. The opening track “Henry” is a fast and noisy pop song that seems like it’s over just as soon as it starts. If you’re having a rough day, this song might just be able to put a smile on your face. You may not necessarily be able to understand what they’re singing about, but the combination of the noisy lead guitar and reassuring vocals are enough to tell you that everything is cool. The following track “The Void” takes a step back from where “Henry” was. They slow everything down on “The Void”, making things a bit more eerie and alarming. Those spaced out guitar chords definitely work to make this song have a menacing feel to it. Moving on to the next track “Ten Second Freak Out”, this would be the longest track featured on the 7″. It kicks off with an unusual sounding guitar riff that’s shortly replaced by a high pitched distortion, which goes to show that these songs don’t follow any predetermined song writing formulas. The last track “The Paradise” is another one that could get you smiling, with it’s extensive lead guitar that guides the band through the rest of the fast paced action, which once again ends before you know it. With that being said, it seems like “The Paradise” ends a bit too soon, but I guess you can only fit so much music onto a 7″ record.
Hey guys. Remember last week when I posted the write-up of the Japandroids, Love is All, and The G show at the Barbary? Well after doing so, I sent an e-mail over to Matt Beck of SHDWPLY Records to let him know I had some footage of one of SHDWPLY’s bands, The G. Through talking to Matt, he mentioned that he had some singles that he wanted to send my way, so I graciously obliged his offer and sent him my address. Thanks to Matt, we now have some new music to check out! The first 7″ I am going to cover from SHDWPLY is by a band who call themselves “Florida” (not to be confused with the rapper “Flo Rida” as Last.fm does) who come from the highly-populated-by-bands-city of Brooklyn, New York.
The Florida single includes two tracks from the band, and it is their most recent release to come from SHDWPLY. The A-side begins with the eerie track titled “Haunted House”, and the B-side is a track titled “Love Inside of You”. “Haunted House” starts off with a slower, almost demonic intro that is certainly nothing short of creepy. Shortly after we’re met with the howling vocals of lead singer Daniel Rineer. Not long after the vocals came into play did the band Pontiak come to my mind, but just before the 3-minute point of the song they change things up with an extremely heavy guitar solo that is sure to please any listener. Throughout the length of the song you can hear the use of brass instruments, which works wonders for that spooky element of their music, not to mention that ominous chiming sound heard throughout also. You can check out the B-side of the record “Love Inside of You” over on their Myspace, along with a few other tracks from the band that you may or may not have already heard. If you decide you like these songs, you should do yourself a big favor and buy the records, for multiple reasons. If you like the music, that’s one thing, but the best part is the vinyl itself. It’s transparent gold in color, and as far as I know it’s a limited edition release, so it won’t be around forever! Thanks for reading, and be sure to check back for some more soon!
BUY the Haunted House 7″ directly from SHDWPLY Records
FLORIDA on Myspace
My Rating: 6/10 Genre/ Tags: Psychedelic, Space Rock, Stoner Rock
Good morning folks! How’s it going on this fine Thursday? So did any of you visitors notice the web address today? If not, take a quick peek. There is no longer “wordpress.com” in the address, how exciting! We now have the domain name “Styrofoamdrone.com” all to ourselves. Isn’t that great? I think it is.
Today’s band hails from San Francisco, California, and they have been active since the year 2005 when they released their first self-titled album. They put it out on their very own “Sunburst Sound” label, and it was only limited to 500 copies, so good luck tracking that one down. Since that first album, the band has signed to Tee Pee Records, and they have released two full lengths with Tee Pee, 2007’s “Ekranoplan” and 2009’s “When Sweet Sleep Returned”.
Today we have their 2007 record “Ekranoplan” on our minds. It was their first album to be released to the masses, and it’s quite a hard hitting album. It picks up pretty quickly in the beginning, starting off with the self-titled track “Ekranoplan”, and with the tap of the cymbal, it all begins. The hard and heavy guitars are immediately in yr face, followed by lead singer Jefferson Marshall’s vocals, who is already screaming and carrying on as soon as he can be heard in the song. The following track “Mosquito Lantern” takes a step back on the vocals and mellows out a bit this time, but the musical heaviness is still entirely present, but that’s part of the bands appeal. The heaviness is a sprawling mess of cymbal crashes and absolutely face melting guitar solos about two and half minutes in. The track also starts off with that same familiar cymbal tap before it kicks off into something more, being reminiscent of the intro to the first track “Ekranoplan”. Following “Mosquito Latern” is the track “Rudy on the Corner”, which again has that same cymbal tap for an intro, but this time it’s a bit slower. That being said, this is one of the slower jams on the record. It’s songs like this that really bring the term “stoner-rock” to mind. The vocals are calmed again in this song, which can be much more inviting than the screaming from the first track. Coming up next on the album would be in the instrumental track “Summon the Vardig”. It’s a 6 minute jam session featuring an immense bass line that’s present throughout, and again featuring that same cymbal tap to start off the song. It’s actually starting to get a bit old – the cymbal tap kicks off this song the same way it did for first 3 songs on the album. The only difference with it would be the tempo of the song. But moving on. I’m going to skip “Occult Roots” and move on to “Message by the Mistral and Thunderclap”, because once again this song is counted off by the tap of the drummers cymbal. I don’t know if it’s a big deal to anybody, but practically every song on this record starts off the same way. Not to mention that the songs themselves might seem to overlap at times, with the calmer intros that lead into the heavy, face melting material. The next track “D. Brown” is yet again brought in with the faster tap of the cymbal, but this track stands out by far on the album. It’s has a bluesy feel to it and it sounds like it’s fueled by nothing but attitude and the love for straight up jamming. The final 2 minutes of the track break it all down, even with the keyboards coming into play. At first, the next track “The Chocolate Maiden’s Misty Summer Morning” sounds like it’s going to be different, but sure enough that count off on the cymbal comes back, and then you’re right in the midst of another AHSS jam out. This song is instrumental as well except for the howl of the vocals towards the end, which leads us into the last track of the album, “Gemini 9”, which is also free of vocals entirely. I guess that would make this one more of an authentic instrumental track as opposed to “The Chocolate Maiden’s Misty Summer Morning”….but that’s all for today, be sure to check back real soon. I’m going to see The Strange Boys tonight, so hopefully I’ll have some videos for you guys tomorrow. See you then!
Ekranoplan: Tracklist
1.) Ekranoplan
2.) Mosquito Lantern
3.) Rudy on the Corner
4.) Summon the Vardig
5.) Occult Roots
6.) Message by Mistral and Thunderclap
7.) D. Brown
8.) The Chocolate Maiden’s Misty Summer Morning
9.) Gemini 9
The Assemble Head in Sunburst Sound on Myspace
Ekranoplan – BUY! directly from Tee Pee
When Sweet Sleep Returned – BUY! directly from Tee Pee
Styrofoam Drone 