It’s an album that begins with a beating and ends with a suicide. SUNN O))) and SCOTT WALKER’s collaborative album, Soused, is certainly one that’s drenched with the heavy feedback layers of Scott’s new robe-wearing doom-metal compatriots. Continue reading “Scott Walker and Sunn O))) – Soused”
Former Woods bassist and Babies’ frontman KEVIN MORBY’s second solo album, Still Life, is a rugged collection of searching, heartbroken, NYC-inspired tunes that from first listen sound instantly familiar. Continue reading “Kevin Morby – Still Life”
The story of Memphis’ BIG STAR is a tragic and ultimately triumphant one – a group that managed to conjure transcendent rock music in the face of bad distribution deals and commercial indifference. The story of Big Star’s rise from obscurity to posthumous cult fame is a tale that’s now oft been told. For the uninitiated, 2012’s documentary Big Star: Nothing Can Hurt Me is an excellent place to start (add it to your Netflix queue, if you haven’t already). Continue reading “Big Star – Live in Memphis”
WAND are yet another group in the latest of bumper crop neo-psychedelic wunderkinds. Their debut album Ganglion Reef is like some kind of genetically engineered and overgrown mutant pumpkin. From just the right sprinkling of Barrett-era Floyd to the chugging Blue Cheer-isms, it’s an album that sticks the landing on more occasions than not. Released on Ty Segall’s now established GOD? imprint (which is available via Drag City), it’s a driving and at the same time cosmically-inclined set of songs. Continue reading “Wand – Ganglion Reef”
Television Man, the latest from Olympia, WA’s NAOMI PUNK settles into a dark groove as soon as the needle drops – the kind that doesn’t really let up until it’s over. Continue reading “Naomi Punk – Television Man”
Phiadelphia’s own NEEDLE POINTS have been kicking around the City of Brotherly Love for a couple of years now. Dressed up like they just stepped out of wormhole from San Francisco circa 1969, the self-described “Psychedelic Street Level Boogie” band have just unleashed their latest single released on the venerable Brooklyn-based PaperCup Music imprint.
Continue reading “Needle Points – Cripple Street 7″”
It’s December 1996 at Maxwell’s in Hoboken, NJ. I’m interviewing ROBYN HITCHCOCK pre-show and we’re talking about the afterlife, endorphins, Captain Beefheart and the 1960’s. From the first song on his 1981 debut solo album, The Man Who Invented Himself, to his new 2014 record, The Man Upstairs; concerns about that Man in addition to time, sex, food, death and insects have been some of the psychedelic troubadour’s primary lyrical concerns. Continue reading “Robyn Hitchcock – The Man Upstairs”