The BUBBLE BOYS of Orlando, FL have a brand new, just-shy-of-a-full-length cassette tape via Godless America Records (also based in Orlando) titled Sticky Sitch. The trio plays a tightly-wound and clean-cut brand of invigorating garage rock. Their new cassette includes 8 scorching outbursts loaded up with words about love and baseball bats.
George Szegedy was the man behind the drum set in the People’s Temple. Now a defunct band, he has his own solo project under the name CRYSTAL DRIVE out of Lansing, Michigan. This self-titled LP is his first release of any sort (and a first from any member of his previous band), coming pressed in an edition of 300 pieces from Jett Plastic Recordings based in Detroit.
The kind folks at Folk Evaluation have excavated another fine privately pressed gem in the form of SENSATION’s self-titled 1976 album. SENSATION was the collaboration between two University of Wisconsin students, Donald S. Fisher and Jeffrey S. Engel, and it’s one helluva fine slice of lost, pastoral sunshine folk rock with just the right dash of power pop. Continue reading “Sensation – s/t LP”
We’re going to bring back our monthly featured post, the excellently titled Monthly Roundup. The deal here is to give a shout out to all of those submissions that became victims of time in our inbox over the past 30 days or so. April’s list is chock full of some dirty gems that we simply did not have the time to cover, but they still deserve attention from your little ears. See below for a list, with some purposely brief and succinct summaries of what you will encounter while listening. Keep it thorough and listen to as many as you can – it’ll be good for you! Promise!
Chunklet Industries is not paying us to cover their records. They’re just on fire, as we’ve covered 2 of their 3 latest singles from April 2018 alone. The latest is from Atlanta garage-pop knee jerkers OMNI and it’s their second single for the label since 2017. It’s a fantastic snapshot of their body of work until now, which also includes two excellent albums on Trouble In Mind Records.
German DIY punk label Erste Theke Tontraeger have touted some excellent bands over the years – Warm Bodies, Woodboot, Pretty Hurts, Lumpy & the Dumpers, Vanna Inget, The Gotobeds… As you can see they scour the world in order to scour your brains. Yet it’s hard to believe that they haven’t gone with a UK act…until now.
It’s so good that SD is back, isn’t it? Ah we have missed it…To open up my bank account, I will kick off with the first split release from Australian label Psychic Hysteria. The 7″ features two short, sharp blasts of punk madness from beautifully damaged trio PISS FACTORY (named after the seminal Patti Smith song I assume) and bratwave duo HEARTS & ROCKETS (FKA Heat Wave; changed after one of those ugly cease and desist letters clattered through their letterbox recently. Why can’t we all get along? Ah well…)
It’s a little odd after listening to the chronicles of the early years of Guided by Voices on Jeff Gomez’s “Self Inflicted Aura Nostalgia” podcast, to be dropping the needle on the groups’ latest effort Space Gun. For those not familiar, the podcast has been systematically dissecting every one of the group’s albums in chronological order.
Sarah Mason, who used to run the Pelican Pow Wow label in New Orleans, is now the mind behind Space Taker Sounds. This new split 7″ is one of her latest projects for the young label, putting two trashy, like-minded garage punk bands on what is still the best sized wax platter on the planet.
Ten years ago tomorrow, a band from Glen Rock, NJ dropped their debut album, The Airing of Grievances. It was initially released by Troubleman Unlimited in New Jersey, and then brought to Europe by Merok Records (and later reissued by XL Recordings in 2009). Before this, the band had little to their name aside from a couple of 7″ records and a handful of often inaudible live videos on YouTube.