Author Archives: johnnymarston

A Brief Interview With Eric Oblivian

If you ever have the pleasure of traveling through Memphis there are three things you absolutely must see before you leave: Sun Studios, The Stax Museum of American Soul Music, and the world famous Goner Records. Continue reading

The Band In Heaven – Sleazy Dreams 7″

Hozac Records has just released a self-titled 7” from West Palm Beach, Florida’s Band in Heaven. This record has a slightly bi-polar nature. It jumps back and forth between two extremes: Half the time it sounds heavy and sinister the other half of it sounds ethereal and divine. Continue reading

The Summer Twins – The Summer Twins

Burger Records has just released The Summer Twins self-titled LP. On this album The Summer Twins incorporate elements of surf and doo-wop into their garage rock sound. It was recorded entirely onto analog tape. This record has the typical retro sound of a Burger release, but it does not share the typical lo-fi quality. It sounds more like something produced by Phil Spector than something recorded in a hippie’s garage. Continue reading

Ty Segall – Singles 2007-2010

Goner Records recently released Ty Segall – Singles 2007-2010 on a double vinyl LP. Over the past five years Ty Segall has been one of the San Francisco Bay Area’s most prolific musicians, releasing six full length albums in between a seemingly non-stop touring schedule. In addition to his long playing records, he has also released a never ending stream of 7-inch singles, split records, live recordings, and limited releases. Not only does this album collect a few of those out of print rarities into one convenient package, but it also provides an excellent overview of the musician’s early career by tracking his meteoric rise from his humble lo-fi surf recordings to the more developed sound of his later work. Continue reading

Kam Kama – The Tiled House EP

Kam Kama of Bloomington, Indiana are about to release their debut EP. It’s titled “The Tiled House” and it’s being released through Sister Cylinder records. Kam Kama began playing shows in October of 2010. Over the past few years then they have cultivated a synth-heavy post-punk sound packed tightly with layer upon layer of haunting melodies and cathartic despair. Their dark and melancholic sound will be agreeable to any fans of Joy Division, The Smiths, or Echo and The Bunnymen. Continue reading